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< Earlier Kibitzing · PAGE 726 OF 963 ·
Later Kibitzing> |
Jun-18-11
 | | Domdaniel: <dak> The Union of Cute Girlfriends ... sounds like the name of a movie you shouldn't be watching. |
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Jun-18-11
 | | Annie K.: <Dom> kewl!
Yeah, Steppe is much better as history reenactment than as straight SF - I don't think Anthony put a lot of work into working out the interstellar flight details there... but a very enjoyable little story, I think. :) I remember you mentioned Chabon's other book before... if I happen to find it somewhere, I'll get it. OK, I didn't remember the dragon. Heh - Zelazny just loves playing with mythologies. He doesn't take these things too seriously though. ;) <I suppose Elgebra and Elchemy are Hebrew woids too?> Are NOT. They are Arabic, as you know. :p
The Arabic al- prefix means "the", I'm sure you knew that too... now here's the part you may not know. ;) It's not the same al/el. They are different phonemes, the Arabic al- prefix (and also the Hebrew "el" meaning "god", and the hebrew "el" meaning "to", and the Hebrew "al" meaning "don't"...) are written with <aleph>, a lighter 'a' sound (what you'd think of as a "normal" a/e), while the "al/el" of up, above usw. is written with <'ayin>, and is a MUCH stronger guttural sound. Uh, completely different? ;) BTW, El-Al (the airline name) means 'Upwards' (literally to-up, with the first vowel being aleph, and the second vowel being 'ayin). |
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Jun-18-11
 | | Annie K.: To clarify (or confuse further, as the case may be)... it's not that aleph is 'a', and 'ayin is 'e', or the other way around; aleph and 'ayin can both be pronounced as either a or e. That's usually a matter of inflection... the difference between the two is that aleph is a light vowel, and 'ayin is a strongly guttural vowel. Although many of us Ashkenazis can't quite manage the full force of the 'ayin... heh... so we pronounce it as only a little stronger than aleph, at least normally. I can manage a real 'ayin if I concentrate, or at least I flatter myself that I can. ;p |
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Jun-19-11
 | | Domdaniel: <A> That, oddly enough, is zackly what I wuz referring to in a recent post about glottal stops. I find it easy to insert one between two vowels -- as in Sa'urday or Wa'er -- but much harder to begin a word with one. Examples being 'ayin, and, I think, the original version of 'aleph/'alef ... when the Greeks borrowed this glottal stop sign from the Semites they changed it to represent a vowel, and it came to sound like one. My best effort at an initial glottal just makes the first syllable croaky or guttural. Not good. Especially as some languages can differentiate between various types of glottal stop. And some English speakers use it without even knowing it exists, just as they aren't aware of the voiced and unvoiced varieties of 'th' cos the alphabet doesn't display 'em. Somebody needs to make a Philology cartoon for these dim Galactics. On another score, isn't it fascinating the way characters in 50s/60s/70s SF are just like period Americans? They may live in the 24th century, but they 'smoke cigarettes' after 'getting married'. Mebbe it's retro thing. |
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Jun-20-11
 | | Domdaniel: <Annie> A genius juvenile delinquent named Gerry, huh? Can't imagine how that made the selection. |
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Jun-20-11
 | | Annie K.: *innocent look*
Uh... complete coincidence? ;)
OK, I confess, it wasn't, ackshly. Heh. Thing is, I wasn't sure if I wanted to include Baby Is Three or not - I like it for the innaresting concept, but it's also on the disturbing side, sortof. So I skimmed through it again... and noticed the character name, which I hadn't remembered cuz I tend to remember plots and ideas rather than names... and <then> decided to send it. :D So, you finished Jack and started Baby, finished both, and/or read any others meanwhile/since? =) Kmore when I getz home. :) |
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Jun-20-11
 | | Open Defence: I only like dragons from Sicily... |
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Jun-20-11
 | | Annie K.: <Deffi> good point! <Dom> oops - Baby Is Three is the title of a shorter version of the Sturgeon book. Nevermind, you can have more fun with my post this way... ;) |
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Jun-20-11
 | | Domdaniel: <Annie> I'd worked that out. Ackshly, it was one of the titles I thought I'd read before, but hadn't. Nothing particularly disturbing there, by my standards. But I've realized that *all* this stuff is old-fashioned, even those with 1980s publication dates. Space guys with slide rules? I'll have to pen a full-length paper on this. |
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Jun-20-11
 | | Open Defence: the pen ain't mightier than the word... |
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Jun-21-11
 | | Domdaniel: The pen is so. |
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Jun-21-11
 | | Annie K.: The pen is mightier than the pencil. Anybody remember those things? I'd like to see that article, to be sure. :)
Sorriez, I was too tired when I got home yesterday, so now I'm at work again. <Dom> I can has progress report, plz? =) Some comments could be taken to mean that you have read / are reading Zinjaban? :) |
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Jun-21-11
 | | Domdaniel: <Annie -- prog report> On number 6, but now I may need/want to read other stuff for a few days ... only so much days of future passed a brain can take. |
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Jun-21-11
 | | Annie K.: Fer sure! Ackshly, I wasn't trying to rush you to start with, just curious to hear what you were reading. Which one's the leftover? :) And yeah, I agree that reading these books, now, they definitely show their age. You can tell about when they were written by all the little "era marker" actions the authors had taken for granted and included as filler for normal details without a second thought. Can't be helped though, those <were> the Golden Years of SF. |
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Jun-21-11
 | | Domdaniel: So the fans say. *My* Golden Years are centered on New Worlds magazine when Michael Moorcock was editor - Ballard, Aldiss, Delany, Harrison (MJ), Clute, Barrington Bayley, etc - aka the New Wave, and partly overlapping with Ellison's 'Dangerous Visions' in the US. This stuff I read in the 70s (while also reading Pynchon, Borges, Lem, Burroughs, Barth, Robbe-Grillet, Christine Brooke-Rose, usw.) In the 80s I moved to Wm Gibson and the nascent cyberpunk thing, and Interzone magazine. And yes, language comes first. I have little interest in plot, except as a technical problem for the writer to negotiate, resolve, or avoid. Don't care much for Hollywoodesque narratives that keep dropping protagonists into danger, whatever the medium. |
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Jun-24-11
 | | Domdaniel: <Annie> L. Sprague de Camp's 'The Swords of Zinjaban' is among the worst books I've ever read. The (human) ethnic stereotypes are unbelievably awful -- the Magyar barbarian, the prudish orthodox Jew, the och-aye-hoots Scot ... and, worst of all, the 'cockney' who actually speaks cartoon-level Strine ('bonzer', etc). Cringe-inducing. The sexual politics are even worse. The leading female protagonist, Alicia, has gone away to be 'cured' of her aggressive (ie 'male') tendencies. Somebody else remarks that homosexuality can also be 'cured'. Despite her male 'feistiness' - and her surname, Dyckman - Alicia wishes only for true love, marriage, pregnancy, and domestic bliss on a planet far away. I admit I've read books that were more tedious or more badly written. But this is up there with the worst of the paleo-pulp. Sprague de Camp seemingly had a reputation for 'introducing sex into science fiction'. I think that's what annoys me ... the undertone of smug satisfaction at his own 'racy' qualities in an ultra-conventional framework. Samuel Delany *really* introduced sex to science fiction. And SF to porn. It's a two-way thing. |
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Jun-24-11
 | | Annie K.: <Dom> - heh! I like Zinjaban, but I honestly never really considered the possibility that it might <NOT> be a total parody. So I dunno, if it wasn't meant to be funny then it surely is awful, but I think it's hilarious... ;) You know what's the other reason I thought I'd introduce it to you, though? The plotline, as far as the protagonists' emotional lives are concerned, is pretty much identical to that of a certain Chabon book. You didn't notice that? :) <Samuel Delany *really* introduced sex to science fiction. And SF to porn. It's a two-way thing.> Well, Heinlein did a fair bit too... like Delany (in the brilliant Star Pit, at least), he also wrote a lot about "line marriages" and various other larger group setups. He also kinda liked incest, ackshly. ;p |
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Jun-24-11
 | | Domdaniel: < The plotline, as far as the protagonists' emotional lives are concerned, is pretty much identical to that of a certain Chabon book.> Hmm. Yes, both have characters who used to be married, currently aren't, and may possibly be again. Otherwise ...? I dunno. Chabon's hero is more the messed-up kind of neurotic lead, isn't he? Jewish, of course - while 'Fearless' is some variety of Celtic. Hmmm, again. |
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Jun-24-11
 | | Domdaniel: Next thing you'll be telling me that 'Venus on the Half Shell' by Kilgore Trout is parody. Or even 'The Iron Dream' by Schickelgruber? |
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Jun-24-11
 | | Domdaniel: <The Frogspawn 'Anything can be connected to Chess if you try hard enough' Department> has a query: (Yes, I know, we've all got the queries ... never mind.) 'The Squares of the City' by John Brunner is a science-fiction novel whose plot is explicitly based on a real-life chess game - won by Lasker, I think. Can anyone tell me exactly which game, or do I have to go data-hunting? |
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Jun-24-11
 | | Domdaniel: Belay that, Mr Chekhov. It's Steinitz vs Chigorin, 1892, of course. |
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Jun-24-11
 | | Annie K.: Just goes to show how great Lasker was, then! ;)
<Hmm. Yes, both have characters who used to be married, currently aren't, and may possibly be again.> It's more than that, rilly. In both books the ex-spice are still desperately in love with their ex-spouse, and throughout both books, a considerable part of what holds the reader's interest is the curiosity to see whether the hero will get the girl, um, back. :p <Otherwise ...? I dunno. Chabon's hero is more the messed-up kind of neurotic lead, isn't he? Jewish, of course - while 'Fearless' is some variety of Celtic. Hmmm, again.> Chabon's hero is detailed with more emotional complexity, as befits a more serious book. ;) But if you don't think Fergus is just as messed-up and near-suicidal, consider this: just what does "Fearless" actually <mean>? :) <Next thing you'll be telling me that 'Venus on the Half Shell' by Kilgore Trout is parody. Or even 'The Iron Dream' by Schickelgruber?> I might, if I knew them... ;s |
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Jun-24-11
 | | Domdaniel: Ah. Kilgore Trout is a sci-fi writer who appears in several books by Kurt Vonnegut. Later, books under his name began to appear, notably Venus on the Half Shell -- written, I believe, by Philip Jose Farmer. The Iron Dream is, of course, the best-known award-winning fantasy novel by Adolf Hitler, a pulp illustrator who emigrated from Germany to the USA after the Great War. The wiki summary is quite good: http://en.wikipedia.org/wiki/The_Ir... I've owned copies twice, but it's one of those books that tends to vanish. I don't have one now. It may also vary between illicit and shocking in certain territories ... certainly the last edition I had, with swastika-encrusted rockets and blond barbarian 'Dominators' (sic) under the legend 'Adolf Hitler's Fantasy Masterwork'... Oh, and 'Fearless' is the protagonist's nickname in 'Swords of Gangooly-Zanzibar'. Or whatever. |
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Jun-24-11
 | | Domdaniel: Aren't there several books in Sprague de C's Krishna series? They remind me of Edgar Rice Burroughs, especially his four Carson of Venus novels, where the alien planet is also India in disguise. Sprague is a great name, admittedly, and he seems to have had a New York arty-bohemian background, unlike the typical nerd/nebbish type who tended to write pulp sf. So I'll go with *some* intent to parody.
I have litcrit books on *parody theory* and the distinction between it and pastiche. My general rule of thumb is that *I* write parody and (most) other people write stuff to be parodied. |
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Jun-24-11
 | | Annie K.: <while 'Fearless' is some variety of Celtic.> Supposed to be Irish, aifinkso, pretty sure. ;p Funny you should mention Farmer - I was just about to remark on how much Fergus's character resembles that of Kickaha, aka Paul Janus Finnegan (note the initials, of course, and you can say 'Mary Sue' too...) in Philip Jose Farmer's World of Tiers series, who was, innarestingly enough, also Irish. ;) BTW, the World of Tiers series also resembles Zelazny's Amber series in quite a few ways, but Zelazny is better at the myth-game, IMO. :) |
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Later Kibitzing> |
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