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Nov-30-25
 | | OhioChessFan: From a recent game. Black has just played Rd8. What should White do? click for larger viewSpoiler: I got it wrong. |
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Nov-30-25
 | | OhioChessFan: By the way, big win for Vanderbilt today. |
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Nov-30-25
 | | Fusilli: Fun fact guys: It's Sam Loyd, not Lloyd. I had to take a second look myself. <OCF> That's tricky! White wants to take the rook and play h7, but doing that right away would blunder the rook (Qa5+ and Qxd8). (And FWIW, black would also have Qb1+ and Qxh7 if he doesn't see the rook blunder.) So... 1.Rxd8 a1=Q 2.Rb8+! Kf6 (I don't think where the king goes matters) 3.h7 and the only check is 3...Qa5+ and after 4.Kg4 there are no more checks, 1-0. True about Vanderbilt! |
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Nov-30-25
 | | Fusilli: <OCF> And yes about the Loyd puzzle. The fact that white must lose not one but two tempos in the Kc2-Kc1 variation is stunning. For the record, here's the whole solution:
 click for larger view1.Nf5 Kf1 2.Ne3+ Ke1 3.Kc2 f2 4.Kc1 f1=anything 5.Nc2 mate 1.Nf5 e3 2.Nxe3 f2 3.Nf4 f1=anything 4.Nd3 mate
1.Nf5 f2 2.Ne3 f1=anything 3.Nc2 mate |
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Nov-30-25
 | | OhioChessFan: <1.Rxd8 a1=Q 2.Rb8+! Kf6 (I don't think where the king goes matters) 3.h7 and the only check is 3...Qa5+ and after 4.Kg4 there are no more checks, 1-0.>
Well done, although your second move for Black is something of a typo. But the move doesn't matter. Rb8+ is the key that I missed. Qa1/b2+ stops the h Pawn, so White has to defend b2. I took the a2 Pawn which drew.
1. Rxa2+ Kxa2 2. h7 Kb3 3. Kg6 Kc4 4. f5 Kd5 5. f6 Ke6 6. Kg7 1/2  click for larger view |
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| Nov-30-25 | | areknames: Very elegant solution and yes, typical Lloyd. It was very instructive to follow the guy's thought process in the video. |
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| Nov-30-25 | | areknames: For some reason I was always convinced it was Lloyd. I stand corrected. |
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Dec-01-25
 | | Fusilli: <For some reason I was always convinced it was Lloyd> Well, so was I, and I think <OCF> too, the reason being that such name is usually spelled Lloyd. In fact, I think Sam Loyd is the only Loyd I've ever seen. |
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Dec-06-25
 | | OhioChessFan: White to mate in two:
 click for larger view |
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Dec-07-25
 | | Fusilli: <OCF> Whaaaa...? I can't even see mate in 3 right now! |
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Dec-07-25
 | | Fusilli: Oooh... I see it now! |
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| Dec-07-25 | | stone free or die: <OCF> are you sure it's a M2? I think the rook to 2nd rank and over to allow White king to hide behind takes 3 moves. (I checked with engine and it doesn't see M2 either, so at least I have company) |
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Dec-07-25
 | | Fusilli: <stone> it is correct. The engine omitted something. What do you think it could be? In other words, if you were programming the engine, what would you think the engine would need, as input? |
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| Dec-08-25 | | stone free or die: Castling?!? |
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| Dec-08-25 | | stone free or die: (So easy with the hint!) |
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Dec-08-25
 | | Fusilli: <stone> It's more of a prank than a puzzle! When I use an engine, it's generally the one on chess.com. I know that if I set up a position, there is a box to click if O-O is available. Actually, four buttons, for each side and each type of castle. |
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| Dec-08-25 | | stone free or die: <Fusilli> there's a flaw in CG's position diagrams - they sluff off the extra bits of a FEN where such info is stored (chess.com might be missing the 50-move count, and ep file). I guess the problem is a bit of a prank - but a good and revealing one. What's that old adage about moving the "right" rook? . |
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Dec-08-25
 | | OhioChessFan: Laughing uncontrollably.... |
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Dec-08-25
 | | OhioChessFan: I sent that when the last post I saw was "<OCF> Whaaaa...? I can't even see mate in 3 right now!" Glad to see you figured it out. |
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Dec-09-25
 | | Fusilli: <stone> Do you mean this quote, usually attributed to Oscar Panno? <Whenever you have to make a rook move and both rooks are available, you should evaluate which rook to move and, once you have made up your mind... move the other one!> |
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Dec-09-25
 | | Fusilli: If y'all are in the mood for a really, really tough puzzle (a mate in 3) check out my post on Murray Marble The post also has the link to the solution for when you give up! |
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Dec-10-25
 | | OhioChessFan: I did give up. 1. Bc3 was really enticing. |
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Dec-10-25
 | | Fusilli: <OCF> True. But even if you get the right start, Qe1+ was mind blowing. I didn't get it. Since I found it on a video that claimed it was the hardest mate in 3 ever, I gave up relatively quickly, even if that was in all likelihood a most dubious claim. |
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Dec-10-25
 | | Fusilli: <OCF> In other news, have you read Donna Tartt's <The Goldfinch>? I started it and put it on hold after the big event (I don't want to spoil it for you, or anyone reading) that happens early on in the book. I got it because a friend recommended it, and I am not sure if I want to keep reading it. My problem is not with the nature of the big event. (It's truly shattering and upsetting.) It is with the feeling I got of a writer showing off, going on and on about descriptive details. It struck me as, "look how good I am at imagining all this!" Or an attempt at fishing for a movie. That part has a movie-like feeling, like a camera navigating the situation slowly. It annoyed me because until then, the book did not feel like that at all to me. So, if I am going to keep reading it, I need to let this feeling go. I don't want to know what happens, but if you have read it and have an assessment, I'd appreciate it. I generally try not to invest time in reading a fiction book if I am unlikely to finish it feeling that it was worth reading. (Nonfiction is different... I have to read a lot given the nature of my work.) My approach has led me to give up on very famous books (e.g., For Whom the Bells Toll), and stick to others, no matter how long (e.g., Anna Karenina, which I am likely to read again at some point.) Of course, fiction is very personal. So, there's no guarantee that anyone's advice will really help me, but I thought I'd ask. |
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Dec-10-25
 | | OhioChessFan: <It is with the feeling I got of a writer showing off, going on and on about descriptive details. It struck me as, "look how good I am at imagining all this!" > Yeah, I immediately think of Louis L'Amour. I had friends recommend him. I quickly grew tired of painfully long and repetitive descriptions of the sunrise, sunset, mountains, desert. I haven't read The Goldfinch. I agree with giving up on books. |
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