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< Earlier Kibitzing · PAGE 263 OF 644 ·
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| Aug-03-13 | | Travis Bickle: Only The Lonely - The Motels
http://youtu.be/ybvcRSF_VNA |
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| Aug-03-13 | | notyetagm: Kramnik vs Caruana, 2013 Wow, the ending of this game is just *unbelievable* !!! Instead of the drawing 75 ... b3-b2=, Caruana brings the <DECENTRALIZED> White h7-knight back into play with 75 ... ♖g1x♗g5?? 76 ♘h7x♖g5  and White wins(!!) due to an upcoming <KNIGHT FORK> based on the <ALIGNMENT> of the Black a2-king with the b1-promotion square!!!! UN-BE-LIEVABLE |
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| Aug-03-13 | | notyetagm: <JFQ>
Make sure you checkout and understand the incredble final two moves in Kramnik vs Caruana, 2013 that I posted above, 75 ... ♖g1x♗g5?? 76 ♘h7x♖g5 1-0(!!). |
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| Aug-03-13 | | Alien Math: The Battle of Waterloo Movie (1970) http://youtu.be/oKmqRqY0RLg A friend share movie, the cc icon apply captions onto screen. |
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| Aug-03-13 | | achieve: <Jess> Apologies to have been held up elsewhere, and your explanations, though at first a bit dense, are in fact very clear. Good for you to have this sorted out this thoroughly, and we probably all should have a passing knowledge on these matters, I think. So, as an example, less than 100 years old: Blackbird (Beatles) Beautiful song, used in its entirety scoring a slideshow of beautiful birds. It's on youtube.
Appears to me that may be illegal, but as usually the case a "fair use" disclaimer is being put in the description, and that's it. Or is it? Apparantly, there often is, and forgive me but this is all relatively new to me. But it's very important. To know to what extent and in what clipped or edited form creative musical art from the recent past can be used in not-for-profit info documentaries. |
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| Aug-03-13 | | achieve: And then I went and googled...
<Common Myths About Fair Use
In YouTube’s CIS Fair Use Q&A video, Julie Ahrens debunks some common myths about fair use.Myth #1: If you are making money off a video using copyrighted content, this is not fair use. Reality: Ahrens says that whether or not something is used for commercial purposes is not a factor that goes into deciding whether it is fair use or not. She says that there are many commercial enterprises that actually rely on fair use. So if you are creating commercial work, for profit, you can use copyrighted content as long as it falls under fair use. Myth #2: As long as you give credit to the original creator then you won’t be liable for copyright infringement. Reality: You are not required by law to give credit when using another person’s work under fair use and, by the same token, crediting someone will not protect you from copyright infringement. That being said, it is often advised to give credit when using someone else’s content. It just may help you avoid a lawsuit and sometimes all that the original creator wants is credit for his or her work. Myth #3: If I use less than thirty seconds of copyright material, I’m in the clear! Reality: There are no precise numbers dictated under the fair use doctrine when it comes to how much of a copyrighted video or song you can use. Simply put, the amount that you use just needs to be reasonably related to your purpose.”> Seems like a core piece in the copyright puzzle is how much you - purposefully or not - threaten to <take away> sales (or views) from the original. Become a rivaling player on that market, so to speak. In fact, knowing the ropes on the Fair Use Doctrine is very important, as it is written into law specifically, and youtube or any other person or organization using its power without consideration taking out your videos at will are in turn violaters of the laws protecting freedom of expression, not just Ownership, under the Bill of Rights, ultimately, if it's U.S. law. It's all in the word 'fair' - which is fair. |
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| Aug-03-13 | | achieve: <But for Petrovs I think a more "continental" sound is in order.> You must have read my mind - the other day I realized how much of my musical vocab is derived from the american songbook, Gershwin, Porter, Berlin etc., and scoring Petrovs with material from Gershwin seemed a little off, to me, and, let's turn this into a question now, isn't it also a sort of tribute to the artist heritage to use music from composers or artists related to- or from- his home soil? Or - alternatively - if the location of a tournament is in South America, might it not be appropriate to use music from that area? This is the fun of creative freedom; there really are no rules writ in stone that must be obeyed; you just go with integrity for the objectives you aim to achieve. In fact material from Rachmaninoff, Scriabin, Prokofiev, Mussorgski etc., is mostly instrumental and universal in character, and it would be a great challenge to use that, as well. |
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| Aug-03-13 | | achieve: Clearly we are warming up to the task, now, so...one more question, Jess: Do you have an estimate in mind as to - roughly - the total duration of the end product re the Petrovs documentary? Will have to get some sleep now and then get productive tomorrow morning, which is in fact a handful of hours away. Back later. |
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Aug-04-13
 | | WCC Editing Project: <Niels> the Aherns interview is a straight out, bald faced lie. It's for propaganda purposes only. In the youtube copyright strike system, which is entirely automated, "fair use laws" are a dead letter. They are simply ignored.
"Fair use laws" are also currently ignored in all internet and torrent site court cases decided so far. "Fair use" is not even mentioned in any of these court cases. <Blackbird> and millions more. Yep but this is no guarantee for me. First, the video may be blocked in one or many countries. Second, most of the time when you get the automated copyright strike on youtube, it says "Your video is still available world wide. Claimant may be entitled to any ad revenues from the video". But I used hundreds of music snippets so far, and over the course of a year or more the strikes piled up and around 15 percent of my videos were blocked in Germany, and even Germany and the US. I have access to very detailed information about my audience, and Germany is number 2 on the list for my chess documentary viewing audience. So for me, from now on the music I use has to be iron clad free: 100 years old and performed by someone who has licensed it for <creative commons>. That's <musopen.org> or an original artist (you, or Andrew). <Duration of Petrovs> : 40-45 minutes sounds about right? <Regional Music> Yes- and often this music is not patrolled by the copyright trawler on youtube. I have a large collection of Russian folk music, and also Indian/Pakistani folk music, that I have "test uploaded" to see if it gets any strikes. Most don't. I have an entire separate youtube channel to post "strike test videos." But I'm hesitant to use any of this regional music because copyright conditions on youtube frequently change quickly, and usually for the worse (for me). Bullet proof is what I want. |
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Aug-04-13
| | WCC Editing Project: The Indian music collection is for the <Sultan Khan> documentary I'm working on. Do you know how to play a Sitar? |
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Aug-04-13
| | WCC Editing Project: <Coach> I do understand the brilliance of the last two moves in this game, but only because you just told me about it: Kramnik vs Caruana, 2013
Resigned position, 1-0
click for larger view<VARIATION>
76...b2
77.Ne4!
click for larger view77...b1(Q)
78.Nc3 <FORK>
click for larger viewWhat divine chess vision from <Vladimir Kramnik>. Plenty of <LIFE> left in the old dog yet, eh? I remember when <Kramnik> lost the match against <Anand>, someone here actually created a "should Kramnik retire" handle. Premature. |
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| Aug-04-13 | | achieve: <Jess> Quite busy today, sent you a small 7Mb exercise file, so EMU ALERT! Hope you can play it.
For a sitar I need to buy a synth, and I might just buy a cheapish one, which I sorta was planning already. Can just put it on my dektop and play it there with my monitor close, and use a drumkit etc. - you can then literally play and simulate just about any sound. |
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| Aug-04-13 | | achieve: dektop - heh
As you will notice at the end of the little 1 minute ditty, I hold the sustain pedal and the sound swells so much that it distorts, but this is easily mended, and adjusted for. Normally i don't use the other instrument options, which are rather limited, but the acoustic guitar sample is a bit sitar like, and the fast strings are nice as well, nothing too fancy. Back to work, other sample files are in the pipeline prior to release tomorrow. |
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Aug-04-13
| | WCC Editing Project: <Niels> The Eagles have landed... |
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| Aug-04-13 | | achieve: <Jess> Spot on about the heavy bass. I will be recording my piano files with my actual acoustic in the future, which will result in a no doubt very natural balance, no dominant bass, if I place my mic correctly... No more keyboard for those tracks. Plus it's much more real and beautiful with regards to richness of the sound; only thing is to keep the background noise to a minimum. I'll record the other sample piano though, much thinner bass with that one, and then we can compare all three. |
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| Aug-04-13 | | notyetagm: Naiditsch vs Khenkin, 2013 34 ?
click for larger viewWhite has a forced <MATE IN 6> (!!) starting with ... 34 ♖a7xf7!! Δ ♖f7x♘f8#
click for larger view34 ... ♔f7x♖f7 35 ♕d4-f4+ <coordinate on loose sq: f8>
click for larger view35 ... ♔f7-e8 (35 ... ♔f7-g8 36 ♕f4x♘f8#) 36 ♕f4x♘f8+
click for larger view36 ... ♔e8-d7 37 ♗d3-b5+! 1-0 <overloaded: b5 & d6>
click for larger view(CONTINUATION)
37 ... ♕b6x♗b5 38 ♕f8-d6+ <deflection: d6>
click for larger view38 ... ♔d7-e8 39 ♕d6-e7#
click for larger view |
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| Aug-04-13 | | notyetagm: Naiditsch vs Khenkin, 2013 33 ... ?
click for larger viewNaiditsch playing White has allowed the White a6-rook <DEFENDER> of the valuable White b6-passer to be <DRIVEN OFF> by the sequence 32 ... ♗d7-c8 33 ♖a6-a7. Can Black take this crucial pawn? Or has White set a diabolical trap? 33 ... ♕c6xb6??
click for larger viewBlack has fallen into a *wicked* trap set by Naiditsch as White now has a forced <MATE IN 6> (!!) beginning with 34 ♖a7xf7!!. 34 ♖a7xf7!! <mate in 6>
click for larger view |
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| Aug-04-13 | | notyetagm: L Galojan vs D Daulyte, 2013 33 ?
click for larger viewCan White to play take the Black f5-pawn?
33 ♖d5xf5?? <loose piece: f5-rook>
click for larger viewHell no the Black f5-pawn could not be captured! 33 ♖d5xf5?? creates a <LOOSE PIECE>, and what did Dr. Nunn teach us about <LOOSE PIECES>, hmmm? 33 ... ♕b2-b1+! 0-1 <queen fork: g1 & f5>
click for larger view<LPDO: LOOSE PIECES DROP OFF!> Yet another example of the perils that exist when you have <PIECES PROTECTING PIECES>. |
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Aug-04-13
 | | Annie K.: <Ms. They Do It With Mirrors> there's something I forgot to ask you last chat, and I'm rilly rilly curious about it... ;p |
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| Aug-05-13 | | Travis Bickle: Hi Jess,here's a demo song that John Lennon recorded, 1 of 2 unfinished songs that Yoko gave Paul, George & Ringo to add add onto for The Beatles Anthology Project in the mid '90's. The other was the big hit 'Free As a Bird'. Personally I like this Lennon version better than the version completed with the surviving Beatles at the time. Real Love - John Lennon
http://youtu.be/rH81uwLbqys |
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| Aug-05-13 | | Travis Bickle: Hey Jess, I found a neat youtube clip, The Making of Free As a Bird, a film within a film! So Beatles!! ; P The Making of 'Free As a Bird'
http://youtu.be/1vYutewfMh4 |
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Aug-05-13
 | | jessicafischerqueen: <tdawg> "Real Love" by John Lennon, I never heard that before. Beautiful, reminds me a bit of the song "You've got a friend"-http://www.youtube.com/watch?v=Q7RP... |
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Aug-05-13
| | jessicafischerqueen: <tbonesteaks> Wicked! "A film within a film"
I'm downloading it now for my "Beatles folder" which is enormous. Almost as big as my "Mohammed Ali" folder. |
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| Aug-05-13 | | Travis Bickle: Here's 1 of my favorite Tom Waits songs.
The World Keeps Turning
http://youtu.be/oeCfe9mWxdY |
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Aug-05-13
| | jessicafischerqueen: <Niels> you have a lovely voice sir, just on that one hum- took me by surprise, as I explained in an ENCRYPTED MESSAGE. Can there be a well of strong, true emotion in a 2 second hum? Yes, yes there can.
Anyways the latest Chopin file is "improving" with every listen; I have it on loop right now. Chopin, what a genius. How can he evoke both a funereal and "light" mood in the same short piece? Because he's Chopin. |
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