O Interesting... by blingice &records li Phil Be

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Kibitzing

O Interesting... by blingice &records li Phil Be
Compiled by fredthebear

Compiled by blingice

Charge! Wikipedia article: Charge (warfare)#:~:text=A%20charge%20is%20an%20offensive%20maneuver%20in%20battle,and%20decisive%20moment%20of%20many%20battles%20throughout%20history.

"Winning needs no explanation, losing has no alibi." ― Greg Baum.

"A determined soul will do more with a rusty monkey wrench than a loafer will accomplish with all the tools in a machine shop." ― Robert Hughes

"Chess is a fairy tale of 1,001 blunders." ― Savielly Tartakower

"Pawns are the soul of the game." ― François-André Danican Philidor

"The king pawn and the queen pawn are the only ones to be moved in the early part of the game." ― Wilhelm Steinitz

"There is no such thing as an absolutely freeing move. A freeing move in a position in which development has not been carried far always proves illusory, and vice versa, a move which does not come at all in the category of freeing moves can, given a surplus of tempi to our credit, lead to a very free game." ― Aron Nimzowitsch

"You may knock your opponent down with the chessboard, but that does not prove you the better player." ― English Proverb

"I've played a number of interesting novelties lately. Mostly that's because I haven't got a clue what I am doing in the opening." ― Nigel Short

"When you see a good move – WAIT! – look for a better one." ― Emanuel Lasker The Portuguese chess player and author Pedro Damiano (1480–1544) first wrote this in his book "Questo libro e da imparare giocare a scachi et de li partiti" published in Rome, Italy, in 1512.

"It's a short trip from the penthouse to the outhouse." ― Paul Dietzel

"Silence is the sleep that nourishes wisdom." ― Francis Bacon

"Discipline is wisdom and vice versa." ― M. Scott Peck

"The punishment of every disordered mind is its own disorder." ― St. Augustine of Hippo, Confessions

"In chess, as in life, a man is his own most dangerous opponent." — Vasily Smyslov (1921-2010), 7th World Chess Champion

"For a period of ten years--between 1946 and 1956--Reshevsky was probably the best chessplayer in the world. I feel sure that had he played a match with Botvinnik during that time he would have won and been World Champion." ― Bobby Fischer

"I believe that true beauty of chess is more than enough to satisfy all possible demands." ― Alexander Alekhine

"We cannot resist the fascination of sacrifice, since a passion for sacrifices is part of a chessplayer's nature." ― Rudolf Spielmann

"To play for a draw, at any rate with white, is to some degree a crime against chess." ― Mikhail Tal

"Boring? Who's boring? I am Fredthebear. My mind is always active, busy. If you are bored, then why are you wasting your time following FTB?"

"The future reshapes the memory of the past in the way it recalibrates significance: some episodes are advanced, others lose purchase." ― Gregory Maguire, A Lion Among Men

"Whoever said the pen is mightier than the sword obviously never encountered automatic weapons." ― Douglas MacArthur

"Winning is about commitment, discipline, hard work, dedication, determination, courage and sometimes even luck!" ― Susan Polgar

"Every defeat is an opportunity to learn from our mistakes! Every victory is a confirmation of our hard work!" ― Susan Polgar

"A chess player uses his/her knowledge to prepare for next game while a passionate coach prepares for next generation!" ― Susan Polgar

<Chief Deputy Art Mullen: Hell of a shot. Did you consider what might have happened if you'd missed?

Tim Gutterson: I can't carry a tune. I don't know how to shoot a basketball and my handwriting is, uh, barely legible. But I don't miss. https://www.youtube.com/watch?v=iJF...>

* B23-B25: Game Collection: Sicilian Closed / Grand Prix Attack

* Happy Days! https://www.youtube.com/watch?v=slv...

* IECC: https://www.chess-iecc.com/

* MC Move-by-Move: Game Collection: Move by Move - Carlsen (Lakdawala)

* Records: http://www.xs4all.nl/~timkr/records...

Bughouse Rules

Bughouse is an outrageously fun team game in which one partner plays White and the other plays Black. As a player captures an opponent's piece, that captured piece is passed to the partner. The partner can either make a regular chess move, or place any one of the pieces passed by the partner anywhere on the board! (well, almost anywhere - there are certain rules to follow that we go over in class). To add to the excitement, Bughouse is played with clocks at a quick pace (5 minutes) and players are allowed to TALK!! In fact, you have to talk in order to effectively communicate strategies with your partner. Of course, your opponents might overhear you and plan their counter strategy. So you could whisper, or even talk in secret codes! But you can't hide captured pieces - they have to stay out in the open where everyone can see them. Not fair pulling a rook out from under your beard! These rules and others are contained in he official USCF Bughouse Rules 5th Edition, which will be posted on the walls for Bughouse events. It was interesting to note, during Grandmaster Nigel Davies' recent instructional clinics, that he greatly encouraged Bughouse as a tool for developing the imagination.

IMPORTANT! Because of the high level of noise, Bughouse will be played only on pre-advertised Bughouse tournament days (normally around Halloween, plus or minus a week, and sometimes at other times during the year).

BUGHOUSE RULES (adapted from http://raleighchessacademy.com/wp-c... )

1. Number of Players - There are exactly two players on a team; they are called 'team members,' 'partners' or 'pardners' (Texas only). No substitutions of players are allowed at any time during the tournament. Ya dances with the pardner what brought ya. A Tournament can have many competing teams.

2. Bughouse Game - A 'Bughouse Game' matches one team member against one opponent, and the other team member against that opponent's partner. Play is conducted by the four players on two regulation chess boards, each starting from the normal chess starting position, with white moving first and each using a chess clock (digital takes precedence over analog). One partner plays White; the other Black. The first checkmate or time forfeit on either board ends the Game. If either partner on a team wins their board, then their team wins the Game. Just as in regular chess, there are multiple Games (rounds) per tournament.

3. Colors - For each Game, the team decides which partner is to play white and which is to play black. Once a Game is started, partners may not switch boards (and although you can always give advice to your partner, you cannot touch your partner's pieces).

4. Time control - The time control is Game in 5 minutes. Use 2 second delay when possible.

5. Bring a clock- Each team is responsible for providing a clock. If a team does not have a clock and their opponents do have a clock, the team without a clock forfeits. If neither team has a clock then both teams forfeit.

6. Completion of Move - If a player's hand has released a piece then that move cannot be changed, unless it is an illegal move. A move is not Completed until the piece is released AND the clock is pressed. If the clock has not been pressed then the opponent may not move (this is under review)

8. Illegal moves lose, if they are caught before the next move is made. I. If an opponent makes a move and starts the opponent's clock, they have forfeited the right to claim that illegal move. II. Before play begins both players should inspect the position of the pieces and the setting of the clock, since once each side has made a move all claims for correcting either are null and void. The only exception is if one or both players have more than five minutes on their clock, then the tournament director may reduce the time accordingly. III. Illegal moves, unnoticed by both players, cannot be corrected afterwards, nor can they become the basis for later making an illegal move claim. If the King and Queen are set up incorrectly when the game begins, then you may castle short on the queen side and castle long on the kingside. Once each side has made a move, incorrect setups must stay.

9. Passing pieces - When a piece is captured, the captured piece is passed to the partner only after the move is completed (opponent's clock is started).

10. Placing or moving pieces- A player has the option of either moving one of their pieces on their board or placing a piece their teammate has captured and passed to them. I. A captured piece may be placed on any unoccupied square on the board, with the exception that a pawn may not be placed on the first or last rank. II. Pieces may be placed to create or interpose check or checkmate. (under review - some variants do not allow "drop mates") III. A promoted pawn, which has been captured, reverts to a pawn and not the promoted piece.

11. Displaying captured pieces- A player may not attempt to hide pieces captured by their partner from the opponent. The first attempt will be a warning and the second attempt will result in forfeiture of the game.

12. Communicating allowed- Partners may verbally communicate throughout a game. It is legal for one partner to make move suggestions to the other partner. It is illegal and grounds for forfeiting the match if one partner physically moves one of their partner's pieces.

13. Clock Hand- Each player must push the clock button with the same hand they use to move their pieces. Exception: only during castling may a player use both hands. When capturing only one hand may be used. The first infraction will get a warning, the second a one minute penalty and the third will result in the loss of the game.

14. Touching a Clock- Except for pushing the clock button neither player should touch the clock except: I. To straighten it; II. If either player knocks over the clock his opponent gets one minute added to their clock; III. If your opponent's clock does not begin you may push their side down and repunch your side; however, if this procedure is unsatisfactory, please call for a director; IV. Each player must always be allowed to push the clock after their move is made. Neither player should keep their hand on or hover over the clock.

15. Define a win- A game is won by the player: I. who has mated their opponent's king; II. If the checking piece is not a knight or is not in contact (on an adjacent square) with the defending king and the defending player does not have any material to block the check, the defending player may wait until his or her partner supplies a piece provided their time does not run out. III. whose opponent resigns; IV. whose opponent's flag falls first, at any time before the game is otherwise ended, provided he/she points it out and neutralizes the clock while their own flag is still up; V. who, after an illegal move, takes the opponent's king or stops the clock; VI. an illegal move doesn't negate a player's right to claim on time, provided he/she does so prior to their opponent's claim of an illegal move. If the claims are simultaneous, the player who made the illegal move loses.

16. Defining a draw- A game is a draw: I. By agreement between the teams during the game only. II. If the flag of one player falls after the flag of the other player has already fallen and a win has not been claimed, unless either side mates before noticing both flags down. Announced checkmate nullifies any later time claims.

17. Replacing pieces- If a player accidentally displaces one or more pieces, he shall replace them on his own time. If it is necessary, his opponent may start the opponent's clock without making a move in order to make sure that the culprit uses his own time while replacing the pieces. Finally, it is unsportsmanlike to knock over any pieces then punch the clock. For the first offense the player will get a warning (unless this causes his flag to fall, in which case the opponent will get one extra minute added to his clock). For a second offense a one minute add-on for the opponent will be imposed. For a third offense the offender shall forfeit the game. Thereafter, the tournament director may use other penalties or expel a player from the event for repeated offenses.

18. Dispute between players - In case of a dispute either player may stop both clocks while the tournament director is being summoned. In any unclear situation the tournament director will consider the testimony of both players and any reliable witnesses before rendering his decision. If a player wishes to appeal the decision of a tournament director, the player must first appeal to the section chief then, if necessary, the player may appeal to the Chief floor director, whose decision in all cases is final.

19. TD touching the clock - The tournament director shall not pick up the clock; except in the case of a dispute.

20. Observer conduct - Spectators and players of another match are not to speak or otherwise interfere in a game. If a spectator interferes in any way, such as by calling attention to the flag fall or an illegal move, the tournament director may cancel the game and rule that a new game be played in its stead, and he may also expel the offending party from the playing room. The tournament director should also be silent about illegal moves, flag falls, etc. (unless there is an agreement with the players, before the game, to call them) as this is entirely the responsibility of the players.

21. Replacing a promoted pawn - If a player promotes a pawn they must leave the pawn on the board and clearly indicate to their opponent to what piece the pawn is being promoted too. The promoted pawn will be laid on it's side to indicate that it is a promoted pawn (MCS&C local rule - to prevent later disagreements about what piece the pawn was promoted to, and to avoid pawns annoyingly rolling about and off the board, a spare piece quickly found from another set should be used and placed in the normal upright position, an upside down rook still signifying a queen. The argument against this is nuclear proliferation of Queens, but I don't think it is a strong argument).

22. Replacement clock - Only a tournament director may determine if a clock is defective and change clocks.

23. Player behavior - Excessive banging of pieces or clock will not be tolerated and the offending player may be penalized with loss of time (Director discretion)

24. Insufficient Losing Chances- Insufficient losing chances claims cannot be made in Bughouse games.

25. Rules Not Covered Above - The Official Rules of Chess, 5th edition, shall be used to resolve any situation not covered by these rules.

FACTRETRIEVER: The bird on the Twitter logo is named "Larry." He was named after the basketball player Larry Bird, who played for the Boston Celtics.

"One more dance along the razor's edge finished. Almost dead yesterday, maybe dead tomorrow, but alive, gloriously alive, today." ― Robert Jordan, Lord of Chaos

"Happiness cannot be traveled to, owned, earned, worn or consumed. Happiness is the spiritual experience of living every minute with love, grace, and gratitude." ― Denis Waitley

"If you're too open-minded; your brains will fall out." ― Lawrence Ferlinghetti

"Intelligence plus character-that is the goal of true education." ― Martin Luther King Jr.

"It ain't over 'til it's over, no matter how over it looks." ― Yogi Berra

<The Fooles Mate
Black Kings Biſhops pawne one houſe.
White Kings pawne one houſe.
Black kings knights pawne two houſes
White Queen gives Mate at the contrary kings Rookes fourth houſe — Beale, The Royall Game of Chesse-Play

Beale's example can be paraphrased in modern terms where White always moves first, algebraic notation is used, and Black delivers the fastest possible mate after each player makes two moves: 1.f3 e6 2.g4 Qh4#

There are eight distinct ways in which Fool's Mate can be reached in two moves. White may alternate the order of f- and g-pawn moves, Black may play either e6 or e5, and White may move their f-pawn to f3 or f4.>

HEY YOU!

You can't win them all

You catch more flies with honey than with vinegar

You pays your money and you takes your choice

You reap what you sow

You win some, you lose some

Youth is wasted on the young

<The One-Ring Scam
A separate but similar scam is the one-ring cell phone scam. In this scam, crooks use robocall technology to place internet calls that ring only once on cell phones.

If you pick up, the robocaller just drops the line. But the bigger danger is if you miss the call. Like many people, you might think it's an important call and dial that number right back.

Bad move. Turns out the area codes are largely located in the Caribbean and could cost you $15 to $30 between international fees and per-minute charges!

With that in mind, the Federal Trade Commission says you should never call back numbers in these area codes:

268: Antigua and Barbuda
284: British Virgin Islands
473: Grenada, Carriacou and Petite Martinique
664: Montserrat
649: Turks and Caicos Islands
767: Commonwealth of Dominica
809, 829, 849: Dominican Republic
876: Jamaica

When an unfamiliar number comes in, you're better off waiting for a voicemail so you can determine if the call is legitimate before calling back. You can also Google the phone number itself. If the number is a scam, chances are good that others will have posted warnings about it.>

Ravenna
by Oscar Wilde

To my friend George Fleming author of 'The Nile Novel' and 'Mirage')

A year ago I breathed the Italian air, -
And yet, methinks this northern Spring is fair,- These fields made golden with the flower of March, The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet's gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.

Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.

A year ago! - it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.

Full Spring it was - and by rich flowering vines, Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse's feet,
And musing on Ravenna's ancient name,
I watched the day till, marked with wounds of flame, The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers! - On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna's walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter's rain and snow,
And have no thought of sorrow; - here, indeed,
Are Lethe's waters, and that fatal weed
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.

For though thy brood of warrior sons hath ceased, Thy noble dead are with thee! - they at least
Are faithful to thine honour:- guard them well,
O childless city! for a mighty spell,
To wake men's hearts to dreams of things sublime, Are the lone tombs where rest the Great of Time.

III.

Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain, - The Prince of chivalry, the Lord of war,
Gaston de Foix: for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.

Taken from life while life and love were new,
He lies beneath God's seamless veil of blue;
Tall lance-like reeds wave sadly o'er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound, -
There, prisoned now within a lordly tomb
Raised by a daughter's hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.

Time hath not spared his ruin, - wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed THEIR glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.

His gilded shrine lies open to the air;
And cunning sculptor's hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn, The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante; - to this day,
Here in his place of resting, far away
From Arno's yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives, - the exile's galling chain,
How steep the stairs within kings' houses are,
And all the petty miseries which mar
Man's nobler nature with the sense of wrong.

Yet this dull world is grateful for thy song;
Our nations do thee homage, - even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes: sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.

The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.

Byron dwelt here in love and revelry
For two long years - a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
'Neath any wiles of an Egyptian queen.

For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna: never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas! Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain: O Salamis! O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well - ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.

No longer now shall Slander's venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner's face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea, -
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee, In hidden glades by lonely Castaly;
The laurels wait thy coming: all are thine,
And round thy head one perfect wreath will twine.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright; - I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet, Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.

O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i' the quickening veins, while once again
The woods are filled with gods we fancied slain.

Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart! O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent's vesper bell,
Struck on mine ears amid the amorous flowers.

Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see Caesar ride forth to royal victory.

Mighty thy name when Rome's lean eagles flew
From Britain's isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and Hun were seen.

Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float, The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria's purple waters used to flow.

O fair! O sad! O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia's royal warrior hath passed
Rome's lordliest entrance, and hath worn his crown In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant! Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante's dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour: far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa's waters, by the mountain-side
Of Aspromonte, on Novara's plain, -
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.

Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers, - rest thee well, Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows, - rest thee there,
To mock all human greatness: who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings' ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria's stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now - thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.

O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter's cold; As from the storm-rack comes a perfect star!

O much-loved city! I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna's way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth's hill go down,
And marked the 'myriad laughter' of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet's city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn's livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory; - poor indeed
Is the low murmur of the shepherd's reed,
Where the loud clarion's blast should shake the sky, And flame across the heavens! and to try
Such lofty themes were folly: yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse's feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer's lordly bloom;
And soon the grass with brighter flowers will blow, And send up lilies for some boy to mow.

Then before long the Summer's conqueror,
Rich Autumn-time, the season's usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.

So runs the perfect cycle of the year.

And so from youth to manhood do we go,
And fall to weary days and locks of snow.

Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu! Adieu! yon silent evening star,
The night's ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.

Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet's laurel crown.

Adieu! Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.

"Believe in yourself. Have faith in your abilities. Without humble but reasonable confidence in your own powers, you cannot be successful or happy." ― Norman Vincent Peale

"The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy." ― Martin Luther King Jr.

Psalm 107:1
Give thanks to the Lord, for He is good; his love endures forever.

"To what greater inspiration and counsel can we turn than to the imperishable truth to be found in this treasure house, the Bible?" — Queen Elizabeth II

"Only a virtuous people are capable of freedom. As nations become corrupt and vicious, they have more need of masters." ― Benjamin Franklin

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"Nothing in this world can take the place of persistence. Talent will not: nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not: the world is full of educated derelicts. Persistence and determination alone are omnipotent." — Calvin Coolidge

Psalm 96: 1-3
Sing to the Lord a new song; sing to the Lord, all the earth. Sing to the Lord, praise his name; proclaim his salvation day after day. Declare his glory among the nations, his marvelous deeds among all peoples.

Proverbs 3:5-6
Trust in the Lord with all your heart, and do not lean on your own understanding. In all your ways acknowledge him, and he will make straight your paths.

Romans 8:28
And we know that in all things God works for the good of those who love him, who have been called according to his purpose.

JACK AND JILL
Jack and Jill
Went up the hill
To fetch a pail of water.
Jack fell down
And broke his crown
And Jill came tumbling after.

Helvetica and Times New Roman walk into a bar.
"Get out of here!" shouts the bartender. "We don't serve your type."

REALITY: