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16 Men of Nature
Compiled by Littlejohn
--*--

Release

This game an Indian Brahmin did invent,
The force of Eastern wisdom to express;
From thence the same to busy Europe sent;
The modern Lombards stil'd it pensive Chess.
— Sir John Denham

You don't have to be a polymath like Beth Harmon in The Queen's Gambit to improve your game

Stephen Moss
Sat 14 Nov 2020 01.56 EST
The first thing to say about chess is that we are not all natural geniuses like Beth Harmon, the star of The Queen's Gambit, who is taught the game by grumpy but lovable janitor Mr Shaibel at the age of nine and is very soon beating him.

The daughter of a maths PhD, she sees the patterns and movement in chess immediately, can visualise effortlessly – being able to memorise moves and play without a board is the sign of chess mastery – and sees whole games on the ceiling of her orphanage dormitory. She is a prodigy, just like world champion Bobby Fischer, on whom Walter Tevis based the novel from which the TV series is drawn. We are mere mortals. So how do we get good?

First, by loving chess. "You can only get good at chess if you love the game," Fischer said. You need to be endlessly fascinated by it and see its infinite potential. Be willing to embrace the complexity; enjoy the adventure. Every game should be an education and teach us something. Losing doesn't matter. Garry Kasparov, another former world champion, likes to say you learn far more from your defeats than your victories. Eventually you will start winning, but there will be a lot of losses on the way. Play people who are better than you, and be prepared to lose. Then you will learn. If you are a beginner, don't feel the need to set out all the pieces at once. Start with the pawns, and then add the pieces. Understand the potential of each piece – the way a pair of bishops can dominate the board, how the rooks can sweep up pawns in an endgame, why the queen and a knight can work together so harmoniously. Find a good teacher – your own Mr Shaibel, but without the communication issues. Once you have established the basics, start using computers and online resources to play and to help you analyse games. lichess.org, chess.com and chess24.com are great sites for playing and learning. chessbomb.com is a brilliant resource for watching top tournaments. chessgames.com is a wonderful database of games. chesspuzzle.net is a great practice program. decodechess.com attempts to explain chess moves in layperson's language. There are also plenty of sophisticated, all-purpose programs, usually called chess engines, such as Fritz and HIARCs that, for around £50, help you deconstruct your games and take you deeply into positions. But don't let the computer do all the work. You need to engage your own brain on the analysis. And don't endlessly play against the computer. Find human opponents, either online or, when the pandemic is over, in person. Bobby Fischer was stripped of his world title in 1975 after he refused to defend the title due to a row over the format. Photograph: RFS/AP Study the games of great masters of the past. Find a player you like and follow their careers. Fischer is a great starting point – his play is clear and comprehensible, and beautifully described in his famous book My 60 Memorable Games. Morphy (Harmon's favourite), Alekhine, Capablanca, Tal, Korchnoi and Shirov are other legendary figures with whom the aspiring player might identify. They also have fascinating life stories, and chess is about hot human emotions as well as cold calculation. Modern grandmaster chess, which is based heavily on a deep knowledge of opening theory, is more abstruse and may be best avoided until you have acquired deep expertise. The current crop of leading grandmasters are also, if we are brutally honest, a bit lacking in personality compared with the giants of the past. Children will often find their school has a chess club, and that club may even have links with Chess in Schools and Communities, which supplies expert tutors to schools. Provision tends to be much better at primary than secondary level, and after 11 children will probably be left to their own devices if they want to carry on playing. If a player is really serious, she or he should join their local chess club. There is likely to be one meeting nearby, or there will be once the Covid crisis is over. At the moment, clubs are not meeting and there is very little over-the-board chess being played. Players are keeping their brains active online, where you can meet players from all over the world. That is fun, but be aware that some players are likely to be cheating – using chess engines to help them, making it hard for you to assess how good your play is. And you also get some abuse online from players who want to trash-talk. You are also likely to be playing at very fast time controls – so-called blitz chess – and that is no way to learn to really think about chess. If you want to start playing over-the-board tournaments (when they resume), you will need to join the chess federation in your respective country. After you've played the requisite number of official games, you will get a rating – a bit like a handicap in golf – and can then start being paired with players of your own strength in matches. But until then, the key is to keep enjoying chess and searching for the elusive "truth" in a position. If you see a good move, look for a better one. You can always dig a little deeper in the pursuit of something remarkable and counterintuitive. Beauty and truth: the essence of chess. Stephen Moss is the author of The Rookie: An Odyssey through Chess (and Life), published by Bloomsbury

* YS Tactics: Game Collection: Yasser Seirawan's Winning Chess Tactics

"God gave us the gift of life; it is up to us to give ourselves the gift of living well." ― Voltaire

When does a joke become a ‘dad' joke?
When it becomes apparent.

"Life's most persistent and urgent question is, 'What are you doing for others?" ― Martin Luther King, Jr.

"It is amazing what you can accomplish if you do not care who gets the credit." ― Harry S Truman, 33rd President of the United States, and former Colonel in the U.S. Army

409 zspray: move 35. zooter Frit z drip drip drip Kh4? Vermontoad ah wideload down down down theroad w/all sorts of yella flagz warn warning us.

Don't Quit
Poet: Edgar A. Guest

When things go wrong, as they sometimes will,
When the road you're trudging seems all uphill,
When the funds are low and the debts are high,
And you want to smile but you have to sigh,
When care is pressing you down a bit -
Rest if you must, but don't you quit.

Life is queer with its twists and turns.
As everyone of us sometimes learns.
And many a fellow turns about when he
Might have won had he stuck it out.
Don't give up though the pace seems slow -
You may succeed with another blow.

Often the goal is nearer than it seems
To a faint and faltering man;
Often the struggler has given up when he
Might have captured the victor's cup;
And he learned too late when the night came down, How close he was to the golden crown.

Success is failure turned inside out -
The silver tint of the clouds of doubt,
And when you never can tell how close you are,
It may be near when it seems afar;
So stick to the fight when you're hardest hit -
It's when things seem worst,
You must not quit.

"Rest if you must but don't you quit!" — Anonymous

"Courage doesn't always roar, sometimes it's the quiet voice at the end of the day whispering ‘I will try again tomorrow'." — Mary Anne Radmacher

"The future rewards those who press on. I don't have time to feel sorry for myself. I don't have time to complain. I'm going to press on." — Barack Obama

I saw Usain Bolt sprinting around the track shouting, "Why did the chicken cross the road?" It was a running joke.

$ $ $

"Elon Musk, the world's richest person, recently revealed his strategy for investing alongside record inflation.

According to the WSJ, since February 2020, the Fed increased the nation's money supply by a staggering 40%. To some experts, it explains why the U.S. is experiencing its highest inflation rate since 1981.

The Tesla and SpaceX founder told investors, in his experience, it's "better to own physical things than dollars when inflation is high." That's especially shocking from Musk, who has historically passionately supported cryptocurrencies and other digital goods.

The "physical goods" he mentioned could include oil, metals, and grains, which have all soared in prices…" — Nigel Glenday, Chief Financial Officer

"If you do what you need, you're surviving. If you do what you want, you're living." — Unknown

"Stick to the prepared plan, man. Don't let others down who expect you to do your part. Do no harm. Fools rush in. Be calm, composed, wise; obey boundaries. Control your impulses, urges, your emotions, your words and actions. Respectfully play by the rules, or willful recklessness will burn you soon enough. All God's ambular creatures must stay back off thin ice. Mother Nature and Father Time always have their say. Be safe and sound as you explore." — Anonymous Bear

<Luke 8:16-18 New King James Version The Parable of the Revealed Light

Jesus said:
16 "No one, when he has lit a lamp, covers it with a vessel or puts it under a bed, but sets it on a lampstand, that those who enter may see the light. 17 For nothing is secret that will not be revealed, nor anything hidden that will not be known and come to light. 18 Therefore take heed how you hear. For whoever has, to him more will be given; and whoever does not have, even what he seems to have will be taken from him.">

CAISSA
or The Game at Chess; a Poem.
(written in the year 1763, by Sir William Jones)

(pronounced ky-eé-sah)

Of armies on the chequer'd field array'd,

And guiltless war in pleasing form display'd;

When two bold kings contend with vain alarms,

In ivory this, and that in ebon arms;

Sing, sportive maids, that haunt the sacred hill

Of Pindus, and the fam'd Pierian rill.

Thou, joy of all below, and all above,

Mild Venus, queen of laughter, queen of love;

Leave thy bright island, where on many a rose

And many a pink thy blooming train repose:

Assist me, goddess! since a lovely pair

Command my song, like thee devinely fair.

Near yon cool stream, whose living waters play,

And rise translucent in the solar ray;

Beneath the covert of a fragrant bower,

Where spring's nymphs reclin'd in calm retreat,

And envying blossoms crouded round their seat;

Here Delia was enthron'd, and by her side

The sweet Sirena, both in beauty's pride:

Thus shine two roses, fresh with early bloom,

That from their native stalk dispense perfume;

Their leaves unfolding to the dawning day

Gems of the glowing mead, and eyes of May.

A band of youths and damsels sat around,

Their flowing locks with braided myrtle bound;

Agatis, in the graceful dance admir'd,

And gentle Thyrsis, by the muse inspir'd;

With Sylvia, fairest of the mirthful train;

And Daphnis, doom'd to love, yet love in vain.

Now, whilst a purer blush o'erspreads her cheeks,

With soothing accents thus Sirena speaks:

"The meads and lawns are ting'd with beamy light,

And wakeful larks begin their vocal flight;

Whilst on each bank the dewdrops sweetly smile;

What sport, my Delia, shall the hours beguile?

Whall heavenly notes, prolong'd with various art,

Charm the fond ear, and warm the rapturous heart?

At distance shall we view the sylvan chace?

Or catch with silken lines the finny race?"

Then Delia thus: "Or rather, since we meet

By chance assembled in this cool retreat,

In artful contest let our warlike train

Move well-directed o'er the field preside:

No prize we need, our ardour to inflame;

We fight with pleasure, if we fight for fame."

The nymph consents: the maids and youths prepare

To view the combat, and the sport to share:

But Daphnis most approv'd the bold design,

Whom Love instructed, and the tuneful Nine.

He rose, and on the cedar table plac'd

A polish'd board, with differing colours grac'd;

Squares eight times eight in equal order lie;

These bright as snow, those dark with sable dye;

Like the broad target by the tortoise born,

Or like the hide by spotted panthers worn.

Then from a chest, with harmless heroes stor'd,

O'er the smooth plain two well-wrought hosts he pour'd;

The champions burn'd their rivals to assail,

Twice eight in black, twice eight in milkwhite mail;

In shape and station different, as in name,

Their motions various, not their power the same.

Say, muse! (for Jove has nought from thee conceal'd)

Who form'd the legions on the level field?

High in the midst the reverend kings appear,

And o'er the rest their pearly scepters rear:

One solemn step, majestically slow,

They gravely move, and shun the dangerous foe;

If e'er they call, the watchful subjects spring,

And die with rapture if they save their king;

On him the glory of the day depends,

He once imprison'd, all the conflict ends.

The queens exulting near their consorts stand;

Each bears a deadly falchion in her hand;

Now here, now there, they bound with furious pride,

And thin the trmbling ranks from side to side;

Swift as Camilla flying o'er the main,

Or lightly skimming o'er the dewy plain:

Fierce as they seem, some bold Plebeian spear

May pierce their shield, or stop their full career.

The valiant guards, their minds on havock bent,

Fill the next squares, and watch the royal tent;

Tho' weak their spears, tho' dwarfish be their height,

Compact they move, the bulwark of the fight,

To right and left the martial wings display

Their shining arms, and stand in close array.

Behold, four archers, eager to advance,

Send the light reed, and rush with sidelong glance;

Through angles ever they assault the foes,

True to the colour, which at first they chose.

Then four bold knights for courage-fam'd and speed,

Each knight exalted on a prancing steed:

Their arching course no vulgar limit knows,

Tranverse they leap, and aim insidious blows:

Nor friends, nor foes, their rapid force restrain,

By on quick bound two changing squares they gain;

From varing hues renew the fierce attack,

And rush from black to white, from white to black.

Four solemn elephants the sides defend;

Benearth the load of ponderous towers they bend:

In on unalter'd line they tempt the fight;

Now crush the left, and now o'erwhelm the right.

Bright in the front the dauntless soldiers raise

Their polish'd spears; their steely helmets blaze:

Prepar'd they stand the daring foe to strike,

Direct their progress, but their wounds oblique.

Now swell th' embattled troups with hostile rage,

And clang their shields, impatient to engage;

When Daphnis thus: A varied plain behold,

Where fairy kings their mimick tents unfold,

As Oberon, and Mab, his wayward queen,

Lead forth their armies on the daisied green.

No mortal hand the wond'rous sport contriv'd,

By gods invents, and from gods deriv'd;

From them the British nymphs receiv'd the game,

And play ech morn beneath the crystal Thame;

Hear then the tale, which they to Colin sung,

As idling o'er the lucid wave he hung.

A lovely dryad rang'd the Thracian wild,

Her air enchanting, and her aspect mild:

To chase the bounding hart was all her joy,

Averse from Hymen, and the Cyprian boy;

O'er hills an valleys was her beauty fam'd,

And fair Caissa was the damsel nam'd.

Mars saw the maid; with deep surprize he gaz'd,

Admir'd her shape, and every gesture prais'd:

His golden bow the child of Venus bent,

And through his breast a piecing arrow sent.

The reed was hope; the feathers, keen desire;

The point, her eyes; the barbs, ethereal fire.

Soon to the nymph he pour'd his tender strain;

The haughtly dryad scorn'd his amorous pain:

He told his woes, where'er the maid he found,

And still he press'd, yet still Caissa frown'd;

But ev'n her frowns (ah, what might smiles have done!)

Fir'd all his soul, and all his senses won.

He left his car, by raging tigers drawn,

And lonely wander'd o'er the dusky lawn;

Then lay desponding near a murmuring stream,

And fair Caissa was his plaintive theme.

A naiad heard him from her mossy bed,

And through the crystal rais'd her placid head;

Then mildly spake: "O thou, whom love inspires,

Thy tears will nourish, not allay thy fires.

The smiling blossoms drink the pearly dew;

And ripening fruit the feather'd race pursue;

The scaly shoals devour the silken weeds;

Love on our sighs, and on our sorrow feeds.

Then weep no more; but, ere thou canst obtain

Balm to thy wounds, and solace to thy pain,

With gentle art thy martial look beguile;

Be mild, and teach thy rugged brow to smile.

Canst thou no play, no soothing game devise;

To make thee lovely in the damsel's eyes?

So may thy prayers assuage the scornful dame,

And ev'n Caissa own a mutual frame."

Kind nymph, said Mars, thy counsel I approve;

Art, only art, her ruthless breast can move.

but when? or how? They dark discourse explain:

So may thy stream ne'er swell with gushing rain;

So may thy waves in one pure current flow,

And flowers eternal on thy border blow!"

To whom the maid replied with smiling mien:

"Above the palace of the Paphian queen

Love's brother dwells, a boy of graceful port,

By gods nam'd Euphron, and by mortals Sport:

Seek him; to faithful ears unfold thy grief,

And hope, ere morn return, a sweet relief.

His temple hangs below the azure skies;

Seest thou yon argent cloud? 'Tis there it lies."

This said, she sunk beneath the liquid plain,

And sought the mansion of her blue-hair'd train.

Meantime the god, elate with heart-felt joy,

Had reach'd the temple of the sportful boy;

He told Caissa's charms, his kindled fire,

The naiad's counsel, and his warm desire.

"Be swift, he added, give my passion aid;

A god requests." - He spake, and Sport obey'd.

He fram'd a tablet of celestial mold,

Inlay'd with squares of silver and of gold;

Then of two metals form'd the warlike band,

That here compact in show of battle stand;

He taught the rules that guide the pensive game,

And call'd it Cassa from the dryad's name:

(Whence Albion's sons, who most its praise confess,

Approv'd the play, and nam'd it thoughtful Chess.)

The god delighted thank'd indulgent Sport;

Then grasp'd the board, and left his airy court.

With radiant feet he pierc'd the clouds; nor stay'd,

Till in the woods he saw the beauteous maid:

Tir'd with the chase the damsel set reclin'd,

Her girdle loose, her bosom unconfin'd.

He took the figure of a wanton faun,

And stood before her on the flowery lawn;

Then show'd his tablet: pleas'd the nymph survey'd

The lifeless troops in glittering ranks display'd;

She ask'd the wily sylvan to explain

The various motions of the splendid train;

With eager heart she caught the winning lore,

And thought ev'n Mars less hateful than before;

"What spell," said she, "deceiv'd my careless mind?

The god was fair, and I was most unkind."

She spoke, and saw the changing faun assume

A milder aspect, and a fairer bloom;

His wreathing horns, that from his temples grew,

Flow'd down in curls of bright celestial hue;

The dappled hairs, that veil'd his loveless face,

Blaz'd into beams, and show'd a heavenly grace;

The shaggy hide, that mantled o'er his breast,

Was soften'd to a smooth transparent vest,

That through its folds his vigorous bosom show'd,

And nervous limbs, where youthful ardour glow'd:

(Had Venus view'd him in those blooming charms,

Not Vulcan's net had forc'd her from his arms.)

With goatlike feet no more he mark'd the ground,

But braided flowers his silken sandals bound.

The dryad blush'd; and, as he press'd her, smil'd,

Whilst all his cares one tender glance beguil'd.

He ends: To arms, the maids and striplings cry;

To arms, the groves and sounding vales reply.

Sirena led to war the swarthy crew,

And Delia those that bore the lily's hue.

Who first, O muse, began the bold attack;

The white refulgent, or the mournful black?

Fair Delia first, as favoring lots ordain,

Moves her pale legions tow'rd the sable train:

From thought to thought her lively fancy flies,

Whilst o'er the board she darts her sparkling eyes.

At length the warrior moves with haughty strides;

Who from the plain the snowy king divides:

With equal haste his swarthy rival bounds;

His quiver rattles, and his buckler sounds:

Ah! hapless youths, with fatal warmth you burn;

Laws, ever fix'd, forbid you to return.

then from the wing a short-liv'd spearman flies,

Unsafely bold, and see! he dies, he dies:

The dark-brow'd hero, with one vengeful blow

Of life and place deprives his ivory foe.

Now rush both armies o'er the burnish'd field,

Hurl the swift dart, and rend the bursting shield.

Here furious knights on fiery coursers prance,

but see! the white-rob'd Amazon beholds

Where the dark host its opening van unfolds:

Soon as her eye discerns the hostile maid,

By ebon shield, and ebon helm betray'd;

Seven squares she passed with majestic mien,

And stands triumphant o'er the falling queen.

Perplex'd, and sorrowing at his consort's fate,

The monarch burn'd with rage, despair, and hate:

Swift from his zone th' avenging blade he drew,

And, mad with ire, the proud virago slew.

Meanwhile sweet smiling Delia's wary king

Retir'd from fight behind the circling wing.

Long time the war in equal balance hung;

Till, unforseen, an ivory courser sprung,

And, wildly prancing in an evil hour,

Attack'd at once the monarch and the tower:

Sirena blush'd; for, as the rules requir'd,

Her injur'd sovereign to his tent retir'd;

Whilst her lost castle leaves his threatening height,

And adds new glory to th' exulting knight.

At this, pale fear oppress'd the drooping maid,

And on her cheek the rose began to fade:

A crystal tear, that stood prepar'd to fall,

She wip'd in silence, and conceal'd from all;

From all but Daphnis; He remark'd her pain,

And saw the weakness of her ebon train;

Then gently spoke: "Let me your loss supply,

And either nobly win, or nobly dir;

Me oft has fortune crown'd with fair success,

And led to triumph in the fields of Chess."

He said: the willing nymph her place resign'd,

And sat at distance on the bank reclin'd.

Thus when Minerva call'd her chief to arms,

And Troy's high turret shook with dire alarms,

The Cyprian goddess wounded left the plain,

And Mars engag'd a mightier force in vain.

Strait Daphnis leads his squadron to the field;

(To Delia's arms 'tis ev'n a joy to yield.)

Each guileful snare, and subtle art he tries,

But finds his heart less powerful than her eyes:

Wisdom and strength superior charms obey;

And beauty, beauty, wins the long-fought day.

By this a hoary chief, on slaughter bent,

Approach'd the gloomy king's unguarded tent;

Where, late, his consort spread dismay around,

Now her dark corse lies bleeding on the ground.

Hail, happy youth! they glories not unsung

Shall live eternal on the poet's tongue;

For thou shalt soon receive a splendid change,

And o'er the plain with nobler fury range.

The swarthy leaders saw the storm impend,

And strove in vain their sovereign to defend:

Th' invader wav'd his silver lance in air,

And flew like lightning to the fatal square;

His limbs dilated in a moment grew

To stately height, and widen'd to the view;

More fierce his look, more lion-like his mien,

Sublime he mov'd, and seem'd a warrior queen.

As when the sage on some unfolding plant

Has caught a wandering fly, or frugal ant,

His hand the microscopic frame applies,

And lo! a bright hair'd monster meets his eyes;

He sees new plumes in slender cases roll'd;

Here stain'd with azure, there bedropp'd with gold;

Thus, on the alter'd chief both armies gaze,

And both the kings are fix'd with deep amaze.

The sword, which arm'd the snow-white maid before,

He noew assumes, and hurls the spear no more;

The springs indignant on the dark-rob'd band,

And knights and archers feel his deadly hand.

Now flies the monarch of the sable shield,

His legions vanquish'd, o'er the lonely field:

So when the morn, by rosy coursers drawn,

With pearls and rubies sows the verdant lawn,

Whilst each pale star from heaven's blue vault retires,

Still Venus gleams, and last of all expires.

He hears, where'er he moves, the dreadful sound;

Check the deep vales, and Check the woods rebound.

No place remains: he sees the certain fate,

And yields his throne to ruin, and Checkmate.

A brighter blush o'erspreads the damsel's cheeks,

And mildly thus the conquer'd stripling speaks:

"A double triumph, Delia, hast thou won,

By Mars protected, and by Venus' son;

The first with conquest crowns thy matchless art,

The second points those eyes at Daphnis' heart."

She smil'd; the nymphs and amorous youths arise,

And own that beauty gain'd the nobler prize.

Low in their chest the mimic troops were lay'd,

And peaceful slept the sable hero's shade.

/

Philidor Defense: General
De Legal vs Saint Brie, 1750 
(C41) Philidor Defense, 7 moves, 1-0

Van Geet (Dunst): Reversed Nimzowitsch (A00) 1-0 Legall's Mate
O Bjarnason vs V Dittler, 2001 
(A00) Uncommon Opening, 7 moves, 1-0

Grob Opening: Spike. Hurst Attack
C Bloodgood vs M Brenneman, 1973 
(A00) Uncommon Opening, 11 moves, 1-0

Grob Opening: Spike. Hurst Attack
H Grob vs Wiedemeier, 1965 
(A00) Uncommon Opening, 16 moves, 1-0

Bird Opening: From Gambit. Lasker Variation
R J Lovegren vs B Wall, 1980 
(A02) Bird's Opening, 9 moves, 0-1

French Defense: Winawer. Advance Variation
G Doumas vs I Goutioudi, 2001
(C18) French, Winawer, 19 moves, 1-0

King's Gambit: Accepted. Schallop Defense
B Wall vs Griffin, 1970 
(C34) King's Gambit Accepted, 17 moves, 1-0

King's Gambit: Accepted. Becker Defense
Keres vs H Soonurm, 1942
(C34) King's Gambit Accepted, 24 moves, 1-0

King's Gambit: Accepted. Becker Defense
Larsen vs K Blom, 1951 
(C34) King's Gambit Accepted, 25 moves, 1-0

King's Gambit Accepted Muzio Gambit
Steinitz vs Van der Meden, 1865  
(000) Chess variants, 20 moves, 1-0

Blackmar-Diemer Gambit: Teichmann Variation
E Diemer vs Ritter, 1951 
(D00) Queen's Pawn Game, 16 moves, 1-0

Falkbeer Countergambit. Charousek Gambit Morphy Defense
J Schulten vs Morphy, 1857 
(C31) King's Gambit Declined, Falkbeer Counter Gambit, 23 moves, 0-1

Caro-Kann Defense: Main Line
Reti vs Tartakower, 1910 
(B15) Caro-Kann, 11 moves, 1-0

Budapest Defense: Rubinstein Variation
Toldsepp vs Keres, 1934 
(A52) Budapest Gambit, 10 moves, 0-1

Italian Game: Evans Gambit. Accepted
W D Evans vs McDonnell, 1833 
(C51) Evans Gambit, 20 moves, 1-0

Elephant Gambit: Paulsen Countergambit
Morphy vs A Mongredien, 1859 
(C40) King's Knight Opening, 22 moves, 1-0

Spanish Game: Exchange Variation. Alapin Gambit
Keene vs D A Learner, 1967 
(C69) Ruy Lopez, Exchange, Gligoric Variation, 45 moves, 1-0

Smith-Morra Gambit. Accepted Pin Defense
S J Wexler vs B Germalm, 1967 
(B21) Sicilian, 2.f4 and 2.d4, 12 moves, 1-0

Scotch Game: Fraser Variation
Mephisto vs NN, 1879 
(C45) Scotch Game, 28 moves, 1-0

Hungarian Opening: General
Antoshin vs B Rabar, 1964 
(A00) Uncommon Opening, 21 moves, 1-0

Sicilian Defense: Alapin Variation. Barmen Defense Central Exch
E Naiditsch vs A Draeger, 2000 
(B22) Sicilian, Alapin, 9 moves, 1-0

Sicilian Defense: Alapin Variation. Barmen Defense Central Exc
D Pavasovic vs R Koemetter, 2000 
(B22) Sicilian, Alapin, 17 moves, 1-0

Queen's Gambit Declined: Marshall Defense
Brahn vs Rugamer, 1987 
(D06) Queen's Gambit Declined, 9 moves, 1-0

Falkbeer Countergambit. Nimzowitsch-Marshall Countergambit
NN vs D Gedult, 1981 
(C31) King's Gambit Declined, Falkbeer Counter Gambit, 6 moves, 0-1

damiano 2
J Westman vs E Havansi, 1964 
(C20) King's Pawn Game, 16 moves, 1-0

Center Game: Von der Lasa Gambit (C21) 1-0 Q trap after Bxf7+
Falkbeer vs Zytogorski, 1855
(C21) Center Game, 14 moves, 1-0

gambit FR
Greco vs NN, 1620 
(C33) King's Gambit Accepted, 9 moves, 1-0

gambit R sacrifice CR
J Szekely vs J Schlesinger, 1903 
(C37) King's Gambit Accepted, 18 moves, 1-0

scotch geller ???
K Kulaots vs J Geller, 2002 
(C45) Scotch Game, 8 moves, 1-0

Spanish Game: Classical Variation
P Choate vs T Tchang, 1975 
(C64) Ruy Lopez, Classical, 11 moves, 0-1

ruy lopez berlin
Motilev vs Tschirkow, 1981 
(C65) Ruy Lopez, Berlin Defense, 8 moves, 1-0

Slav Defense: Quiet Variation. Schallopp Defense
Colle vs Euwe, 1924 
(D12) Queen's Gambit Declined Slav, 25 moves, 1-0

"The Oldest Trick in the Book" (game of the day Aug-04-2018)
C Mayet vs Harrwitz, 1848 
(D51) Queen's Gambit Declined, 8 moves, 0-1

"Sacrifices Out of Nowhere" (game of the day Sep-18-2018)
Shamkovich vs A Anguiano, 1978 
(D63) Queen's Gambit Declined, Orthodox Defense, 19 moves, 1-0

old benoni sacrifice D au 8e coup !
Yermolinsky vs E Tate, 2001 
(A43) Old Benoni, 9 moves, 1-0

Modern Defense: Averbakh System. Kotov Variation
W Thormann vs K Bischoff, 1982 
(A42) Modern Defense, Averbakh System, 11 moves, 0-1

Benko Gambit: Zaitsev System
H Kirchhoff vs J Foldi, 1986 
(A58) Benko Gambit, 7 moves, 0-1

Matovinsky Gambit
Greco vs NN, 1623 
(B00) Uncommon King's Pawn Opening, 8 moves, 1-0

Boden mate snips a Scandinavian tree from chess forest.
Teichmann vs NN, 1914 
(000) Chess variants, 13 moves, 1-0

POD Thu 12/04/2007
V Malakhov vs Areshchenko, 2005 
(B52) Sicilian, Canal-Sokolsky (Rossolimo) Attack, 17 moves, 1-0

Scandinavian Defense: Modern. Gipslis Variation
O Chajes vs Marshall, 1918 
(B01) Scandinavian, 20 moves, 0-1

N sac @ f7 on K in center leads to K hunt & #
I Ali vs B Westin, 1987 
(B17) Caro-Kann, Steinitz Variation, 11 moves, 1-0

Sicilian Smith-Morra Gambit (B20) 1-0 Legall's Mate extended
T Behlau vs H Krueger, 1987 
(B20) Sicilian, 17 moves, 1-0

Sicilian Defense: Morphy Gambit. Andreaschek Gambit
J Bosch vs J Algra, 2001 
(B21) Sicilian, 2.f4 and 2.d4, 21 moves, 1-0

Sicilian Defense: Morphy Gambit. Andreaschek Gambit
S Crakanthorp vs H N Maddox, 1933 
(B21) Sicilian, 2.f4 and 2.d4, 10 moves, 1-0

Sicilian Defense: Morphy Gambit. Andreaschek Gambit
R Krogius vs A Ojanen, 1944 
(B21) Sicilian, 2.f4 and 2.d4, 14 moves, 1-0

Sicilian Defense: Morphy Gambit. Andreaschek Gambit
S Chanawangsa vs G Kearse, 1984 
(B21) Sicilian, 2.f4 and 2.d4, 11 moves, 1-0

Sicilian Defense: Morphy Gambit. Andreaschek Gambit
G Welling vs Brinkhorst, 1980 
(B21) Sicilian, 2.f4 and 2.d4, 9 moves, 1-0

Smith-Morra Gambit. Declined Push Variation
Fischer vs Auner, 1960 
(B21) Sicilian, 2.f4 and 2.d4, 10 moves, 1-0

Smith Mora- Seperating the king to take the queen
D Zardus vs A Steventon, 1986 
(B21) Sicilian, 2.f4 and 2.d4, 7 moves, 1-0

Sicilian Defense: Lasker-Pelikan Variation. General
C Godoy vs D Lanza, 2004
(B32) Sicilian, 20 moves, 1-0

a true example of Chess Amateur against Chess Grandmaster
A Reggio vs Tarrasch, 1902 
(B45) Sicilian, Taimanov, 15 moves, 0-1

a common mistake in the Dragon var. since the pin wins a piece
V Borsony vs A Laustsen, 1956 
(B70) Sicilian, Dragon Variation, 7 moves, 1-0

Fischer-Sozin Attack. General Variation
R Bogdanovic vs Matulovic, 1960 
(B86) Sicilian, Fischer-Sozin Attack, 59 moves, 0-1

Sicilian Defense: Velimirovic Attack
I A Zaitsev vs Suetin, 1968 
(B89) Sicilian, 21 moves, 1-0

Sicilian Defense: Najdorf Variation
Lautier vs Van Wely, 1999 
(B90) Sicilian, Najdorf, 19 moves, 1-0

French Defense: Schlechter Variation
Carlsen vs I A Abusdal, 2002 
(C00) French Defense, 20 moves, 1-0

French Advance Milner-Barry Gambit (C02) 0-1 Discovery on Q
B Wall vs A Brown, 1972 
(C02) French, Advance, 9 moves, 1-0

Tal punishes Black for ignoring principles (16Qc7 17Nh6+ & #)
Tal vs M Strelkov, 1949 
(C10) French, 16 moves, 1-0

French Defense: Classical. Steinitz (C11)1-0 Pile on the pin
J Gallagher vs Korchnoi, 2006 
(C11) French, 14 moves, 1-0

Korchnoi won the very first one-to-one game between these great
Kasparov vs Korchnoi, 2001 
(C13) French, 26 moves, 1-0

Winawer. Maroczy-Wallis Variation
S Stange vs H Westerweele, 2001 
(C17) French, Winawer, Advance, 21 moves, 1-0

Winawer. Maroczy-Wallis Variation
S Krylov vs M Emhemed, 2004
(C17) French, Winawer, Advance, 16 moves, 1-0

Winawer. Maroczy-Wallis Variation
Bogoljubov vs G Danielsson, 1935 
(C18) French, Winawer, 24 moves, 1-0

Winawer. Maroczy-Wallis Variation
Kasparov vs I Efimov, 1977 
(C18) French, Winawer, 17 moves, 1/2-1/2

K Pawn: Macleod Attack (C20) 0-1 BxNf3 gxB allows Qh3
de Rives vs Staunton, 1853 
(C20) King's Pawn Game, 19 moves, 0-1

Danish Gambit: Accepted
Bird vs Lasker, 1892 
(C21) Center Game, 12 moves, 1-0

Danish Gambit: General
Charousek vs J Wollner, 1893 
(C21) Center Game, 19 moves, 1-0

Danish Gambit: General
Alekhine vs A Cheron, 1925 
(C21) Center Game, 16 moves, 1-0

Danish Gambit: Declined. Sorensen Defense
H Leeners vs T J Edwards, 1903 
(C21) Center Game, 12 moves, 0-1

Center Game: Normal Variation
Bronstein vs NN, 1950 
(C22) Center Game, 10 moves, 1-0

Black's 10th and 15th moves are not to be missed!!!
J Schulten vs Horwitz, 1846 
(C23) Bishop's Opening, 17 moves, 0-1

King's Gambit: Declined. Classical Variation General
de Beaurevoir vs D Ercole Del Rio, 1798 
(C30) King's Gambit Declined, 11 moves, 0-1

King's Gambit: Declined. Classical Variation General
Pulvermacher vs Capablanca, 1907 
(C30) King's Gambit Declined, 10 moves, 0-1

Falkbeer Countergambit. Charousek Gambit Keres Variation
Krasinski vs Y Estrin, 1947 
(C32) King's Gambit Declined, Falkbeer Counter Gambit, 11 moves, 0-1

King's Gambit: Accepted. Bishop's Gambit
Westerinen vs J Franzen, 1988 
(C33) King's Gambit Accepted, 15 moves, 1-0

King's Gambit: Accepted. Blachly Gambit
Paulsen vs Blachly, 1858 
(C37) King's Gambit Accepted, 19 moves,

King's Gambit: Accepted. Kieseritsky Gambit Anderssen Defense
L Elkin vs Morphy, 1857 
(C39) King's Gambit Accepted, 25 moves, 0-1

King's Gambit: Accepted. Kieseritsky Gambit Rubinstein Variatio
D A Holmes vs M Hebden, 1989 
(C39) King's Gambit Accepted, 20 moves, 0-1

Latvian Gambit: Fraser Def (C40) 1-0 Bb5 pin is decoy for Nxc7+
Moreno vs Padula, 1980 
(C40) King's Knight Opening, 8 moves, 1-0

Scotch Game: Scotch Gambit. Kingside Variation
T Qiu vs Wang Yiwei, 2001 
(C45) Scotch Game, 10 moves, 1-0

Scotch Game: Steinitz Variation
P Frazer vs Taubenhaus, 1888 
(C45) Scotch Game, 8 moves, 1-0

Scotch Game: Scotch Gambit. Advance Variation
Dufresne vs Anderssen, 1851 
(C45) Scotch Game, 21 moves, 0-1

Scotch Game: Scotch Gambit. Advance Variation
H Huenerkopf vs Spassky, 1984 
(C45) Scotch Game, 15 moves, 0-1

Evans Gambit
W D Evans vs McDonnell, 1827 
(C52) Evans Gambit, 20 moves, 1-0

Borislav Kostic (1887-1963)
Muehlock vs Kostic, 1912 
(C50) Giuoco Piano, 7 moves, 0-1

Evans Gambit. Pierce Defense
de Riviere vs P Journoud, 1859
(C52) Evans Gambit, 20 moves, 1-0

Giuoco Piano
C J Corte vs J Bolbochan, 1946 
(C54) Giuoco Piano, 18 moves, 1-0

Italian Game: Classical. Greco Gambit Greco Variation
D Heisman vs D Fennick, 1967 
(C54) Giuoco Piano, 14 moves, 1-0

Italian Game: Classical. Greco Gambit Greco Variation
Greco vs NN, 1620 
(C54) Giuoco Piano, 19 moves, 1-0

Two Knights Def - Modern Bishop's Opening (C55) 1-0 Pile on pin
Kasparov vs S Brown, 1998 
(C55) Two Knights Defense, 20 moves, 1-0

Two Knights Defense. Modern Bishop's Opening
L Jap Tjoen San vs J Bettman, 1996 
(C55) Two Knights Defense, 18 moves, 1-0

Italian Game: Scotch Gambit. Max Lange Attack
Euwe vs G Kroone, 1926 
(C55) Two Knights Defense, 17 moves, 1-0

Scotch Gambit. Max Lange Attack Spielmann Defense
Euwe vs K Bergsma, 1925 
(C56) Two Knights, 20 moves, 1-0

Italian Game: Scotch Gambit. Nakhmanson Gambit
E Sokolov vs Rushnikov, 1964 
(C56) Two Knights, 19 moves, 1-0

95 games

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