17 Chess Prehistory Compiled by Littlejohn
by Joe Stanley
* Amazing: Game Collection: Amazing Chess Moves (Emms) * First of each ECO: Game Collection: First of Each ECO * Famous King's Gambits: Game Collection: Famous King's Gambits. * Giuoco Piano: Game Collection: GIUOCO PIANO * How to Analyze: https://thechessworld.com/articles/... * Instructional Games: Game Collection: Coaching Corner * Italian Repertoire: Game Collection: My Repertoire * Old Checkmates: Game Collection: As Far as the checkmates go * P-K4 Miniatures/du Mont: Game Collection: 200 Miniature Games of Chess - Du Mont (I) * Recommendations: https://www.reddit.com/r/chess/wiki... * Short and Long: Game Collection: Long games (72+). Short games (28-) "Life has, indeed, many ills, but the mind that views every object in its most cheering aspect, and every doubtful dispensation as replete with latent good, bears within itself a powerful and perpetual antidote. The gloomy soul aggravates misfortune, while a cheerful smile often dispels those mists that portend a storm." ― Lydia Sigourney "If you are not big enough to lose, you are not big enough to win."
― Walter Reuther
"Every Pawn is a potential Queen." ― James Mason "What gives chess its great fascination is that the K, Q, R, B, N, and P move in different ways. In consequence we get a colorful diversity of possibilities unequaled in any other board game." ― Fred Reinfeld "Victorious warriors win first and then go to war, while defeated warriors go to war first and then seek to win." ― Sun Tzu, The Art of War "Never interrupt your enemy when he is making a mistake."
― Napoleon Bonaparte
"Intuition in chess can be defined as the first move that comes to mind when you see a position." ― Viswanathan Anand "It is quite an advantage to have the initiative, and once you have it you must keep it. If your opponent has it, and relinquishes it through some accident or other, you must take it." ― Jose R. Capablanca "There is no remorse like the remorse of chess." ― H. G. Wells. "It is amazing what you can accomplish if you do not care who gets the credit."
― Harry S Truman, 33rd President of the United States, and former Colonel in the U.S. Army "All of the real heroes are not storybook combat fighters either. Every single man in this Army play a vital role. Don't ever let up. Don't ever think that your job is unimportant. Every man has a job to do and he must do it. Every man is a vital link in the great chain." ― General George S. Patton, U.S. Army <This game an Indian Brahmin did invent,
The force of Eastern wisdom to express;
From thence the same to busy Europe sent;
The modern Lombards stil'd it pensive Chess.
— Sir John Denham>
Due to gravitational effects, you weigh slightly less when the moon is directly overhead. "Encouragement is like water to the soul, it makes everything grow."
― Chris Burkmenn
Gambling problem? Call 1-800-GAMBLER
Be slow in choosing a friend but slower in changing him. ~ Scottish Proverb In July 1849, Hippolyte Fizeau became the first person to measure the speed of light on Earth. I Wandered Lonely as a Cloud
William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils
Do You Have It?
Riddle Question: Poor people have it. Rich people need it. If you eat it you die. What is it? Thank you, Qindarka!
Riddle Answer: Nothing.
The Triumph of Life
Percy Bysshe Shelley
Swift as a spirit hastening to his task
Of glory & of good, the Sun sprang forth
Rejoicing in his splendour, & the mask
Of darkness fell from the awakened Earth.
The smokeless altars of the mountain snows
Flamed above crimson clouds, & at the birth
Of light, the Ocean's orison arose
To which the birds tempered their matin lay,
All flowers in field or forest which unclose
Their trembling eyelids to the kiss of day,
Swinging their censers in the element,
With orient incense lit by the new ray
Burned slow & inconsumably, & sent
Their odorous sighs up to the smiling air,
And in succession due, did Continent,
Isle, Ocean, & all things that in them wear
The form & character of mortal mould
Rise as the Sun their father rose, to bear
Their portion of the toil which he of old
Took as his own & then imposed on them;
But I, whom thoughts which must remain untold
Had kept as wakeful as the stars that gem
The cone of night, now they were laid asleep,
Stretched my faint limbs beneath the hoary stem
Which an old chestnut flung athwart the steep
Of a green Apennine: before me fled
The night; behind me rose the day; the Deep
Was at my feet, & Heaven above my head
When a strange trance over my fancy grew
Which was not slumber, for the shade it spread
Was so transparent that the scene came through
As clear as when a veil of light is drawn
O'er evening hills they glimmer; and I knew
That I had felt the freshness of that dawn,
Bathed in the same cold dew my brow & hair
And sate as thus upon that slope of lawn
Under the self same bough, & heard as there
The birds, the fountains & the Ocean hold
Sweet talk in music through the enamoured air.
And then a Vision on my brain was rolled.
As in that trance of wondrous thought I lay
This was the tenour of my waking dream.
Methought I sate beside a public way
Thick strewn with summer dust, & a great stream
Of people there was hurrying to & fro
Numerous as gnats upon the evening gleam,
All hastening onward, yet none seemed to know
Whither he went, or whence he came, or why
He made one of the multitude, yet so
Was borne amid the crowd as through the sky
One of the million leaves of summer's bier.—
Old age & youth, manhood & infancy,
Mixed in one mighty torrent did appear,
Some flying from the thing they feared & some
Seeking the object of another's fear,
And others as with steps towards the tomb
Pored on the trodden worms that crawled beneath,
And others mournfully within the gloom
Of their own shadow walked, and called it death …
And some fled from it as it were a ghost,
Half fainting in the affliction of vain breath.
But more with motions which each other crost
Pursued or shunned the shadows the clouds threw
Or birds within the noonday ether lost,
Upon that path where flowers never grew;
And weary with vain toil & faint for thirst
Heard not the fountains whose melodious dew
Out of their mossy cells forever burst
Nor felt the breeze which from the forest told
Of grassy paths, & wood lawns interspersed
With overarching elms & caverns cold,
And violet banks where sweet dreams brood, but they
Pursued their serious folly as of old ….
And as I gazed methought that in the way
The throng grew wilder, as the woods of June
When the South wind shakes the extinguished day.—
And a cold glare, intenser than the noon
But icy cold, obscured with blank light
The Sun as he the stars. Like the young moon
When on the sunlit limits of the night
Her white shell trembles amid crimson air
And whilst the sleeping tempest gathers might
Doth, as a herald of its coming, bear
The ghost of her dead Mother, whose dim form
Bends in dark ether from her infant's chair,
So came a chariot on the silent storm
Of its own rushing splendour, and a Shape
So sate within as one whom years deform
Beneath a dusky hood & double cape
Crouching within the shadow of a tomb,
And o'er what seemed the head, a cloud like crape,
Was bent a dun & faint etherial gloom
Tempering the light; upon the chariot's beam
A Janus-visaged Shadow did assume
The guidance of that wonder-winged team.
The Shapes which drew it in thick lightnings
Were lost: I heard alone on the air's soft stream
The music of their ever moving wings.
All the four faces of that charioteer
Had their eyes banded . . . little profit brings
Speed in the van & blindness in the rear,
Nor then avail the beams that quench the Sun
Or that his banded eyes could pierce the sphere
Of all that is, has been, or will be done.—
So ill was the car guided, but it past
With solemn speed majestically on . . .
The crowd gave way, & I arose aghast,
Or seemed to rise, so mighty was the trance,
And saw like clouds upon the thunder blast
The million with fierce song and maniac dance
Raging around; such seemed the jubilee
As when to greet some conqueror's advance
Imperial Rome poured forth her living sea
From senatehouse & prison & theatre
When Freedom left those who upon the free
Had bound a yoke which soon they stooped to bear.
Nor wanted here the true similitude
Of a triumphal pageant, for where'er
The chariot rolled a captive multitude
Was driven; althose who had grown old in power
Or misery,—all who have their age subdued,
By action or by suffering, and whose hour
Was drained to its last sand in weal or woe,
So that the trunk survived both fruit & flower;
All those whose fame or infamy must grow
Till the great winter lay the form & name
Of their own earth with them forever low,
All but the sacred few who could not tame
Their spirits to the Conqueror, but as soon
As they had touched the world with living flame
Fled back like eagles to their native noon,
Of those who put aside the diadem
Of earthly thrones or gems, till the last one
Were there;—for they of Athens & Jerusalem
Were neither mid the mighty captives seen
Nor mid the ribald crowd that followed them
Or fled before . . Now swift, fierce & obscene
The wild dance maddens in the van, & those
Who lead it, fleet as shadows on the green,
Outspeed the chariot & without repose
Mix with each other in tempestuous measure
To savage music …. Wilder as it grows,
They, tortured by the agonizing pleasure,
Convulsed & on the rapid whirlwinds spun
Of that fierce spirit, whose unholy leisure
Was soothed by mischief since the world begun,
Throw back their heads & loose their streaming hair,
And in their dance round her who dims the Sun
Maidens & youths fling their wild arms in air
As their feet twinkle; they recede, and now
Bending within each other's atmosphere
Kindle invisibly; and as they glow
Like moths by light attracted & repelled,
Oft to new bright destruction come & go.
Till like two clouds into one vale impelled
That shake the mountains when their lightnings mingle
And die in rain,—the fiery band which held
Their natures, snaps . . . ere the shock cease to tingle
One falls and then another in the path
Senseless, nor is the desolation single,
Yet ere I can say where the chariot hath
Past over them; nor other trace I find
But as of foam after the Ocean's wrath
Is spent upon the desert shore.—Behind,
Old men, and women foully disarrayed
Shake their grey hair in the insulting wind,
Limp in the dance & strain, with limbs decayed,
Seeking to reach the light which leaves them still
Farther behind & deeper in the shade.
But not the less with impotence of will
They wheel, though ghastly shadows interpose
Round them & round each other, and fulfill
Their work and to the dust whence they arose
Sink & corruption veils them as they lie
And frost in these performs what fire in those.
Struck to the heart by this sad pageantry,
Half to myself I said, "And what is this?
Whose shape is that within the car? & why"-
I would have added—"is all here amiss?"
But a voice answered . . "Life" . . . I turned & knew
(O Heaven have mercy on such wretchedness!)
That what I thought was an old root which grew
To strange distortion out of the hill side
Was indeed one of that deluded crew,
And that the grass which methought hung so wide
And white, was but his thin discoloured hair,
And that the holes it vainly sought to hide
Were or had been eyes.—"lf thou canst forbear
To join the dance, which I had well forborne,"
Said the grim Feature, of my thought aware,
"I will now tell that which to this deep scorn
Led me & my companions, and relate
The progress of the pageant since the morn;
"If thirst of knowledge doth not thus abate,
Follow it even to the night, but I
Am weary" . . . Then like one who with the weight
Of his own words is staggered, wearily
He paused, and ere he could resume, I cried,
"First who art thou?" . . . "Before thy memory
"I feared, loved, hated, suffered, did, & died,
And if the spark with which Heaven lit my spirit
Earth had with purer nutriment supplied
"Corruption would not now thus much inherit
Of what was once Rousseau—nor this disguise
Stained that within which still disdains to wear it.—
"If I have been extinguished, yet there rise
A thousand beacons from the spark I bore."—
"And who are those chained to the car?" "The Wise,
"The great, the unforgotten: they who wore
Mitres & helms & crowns, or wreathes of light,
Signs of thought's empire over thought; their lore
"Taught them not this—to know themselves; their might
Could not repress the mutiny within,
And for the morn of truth they feigned, deep night
"Caught them ere evening." "Who is he with chin
Upon his breast and hands crost on his chain?"
"The Child of a fierce hour; he sought to win
"The world, and lost all it did contain
Of greatness, in its hope destroyed; & more
Of fame & peace than Virtue's self can gain
"Without the opportunity which bore
Him on its eagle's pinion to the peak
From which a thousand climbers have before
"Fall'n as Napoleon fell."—I felt my cheek
Alter to see the great form pass away
Whose grasp had left the giant world so weak
That every pigmy kicked it as it lay—
And much I grieved to think how power & will
In opposition rule our mortal day—
And why God made irreconcilable
Good & the means of good; and for despair
I half disdained mine eye's desire to fill
With the spent vision of the times that were
And scarce have ceased to be . . . "Dost thou behold,"
Said then my guide, "those spoilers spoiled, Voltaire,
"Frederic, & Kant, Catherine, & Leopold,
Chained hoary anarch, demagogue & sage
Whose name the fresh world thinks already old—
"For in the battle Life & they did wage
She remained conqueror—I was overcome
By my own heart alone, which neither age
"Nor tears nor infamy nor now the tomb
Could temper to its object."—"Let them pass"—
I cried—"the world & its mysterious doom
"Is not so much more glorious than it was
That I desire to worship those who drew
New figures on its false & fragile glass
"As the old faded."—"Figures ever new
Rise on the bubble, paint them how you may;
We have but thrown, as those before us threw,
"Our shadows on it as it past away.
But mark, how chained to the triumphal chair
The mighty phantoms of an elder day—
"All that is mortal of great Plato there
Expiates the joy & woe his master knew not;
That star that ruled his doom was far too fair—
"And Life, where long that flower of Heaven grew not,
Conquered the heart by love which gold or pain
Or age or sloth or slavery could subdue not—
"And near blank walk the blank twain,
The tutor & his pupil, whom Dominion
Followed as tame as vulture in a chain.—
"The world was darkened beneath either pinion
Of him whom from the flock of conquerors
Fame singled as her thunderbearing minion;
"The other long outlived both woes & wars,
Throned in new thoughts of men, and still had kept
The jealous keys of truth's eternal doors
"If Bacon's spirit blank had not leapt
Like lightning out of darkness; he compelled
The Proteus shape of Nature's as it slept
"To wake & to unbar the caves that held
The treasure of the secrets of its reign—
See the great bards of old who inly quelled
"The passions which they sung, as by their strain
May well be known: their living melody
Tempers its own contagion to the vein
"Of those who are infected with it—I
Have suffered what I wrote, or viler pain!—
"And so my words were seeds of misery—
Even as the deeds of others."—"Not as theirs,"
I said—he pointed to a company
In which I recognized amid the heirs
Of Caesar's crime from him to Constantine,
The Anarchs old whose force & murderous snares
Had founded many a sceptre bearing line
And spread the plague of blood & gold abroad,
And Gregory & John and men divine
Who rose like shadows between Man & god
Till that eclipse, still hanging under Heaven,
Was worshipped by the world o'er which they strode
For the true Sun it quenched.—"Their power was given
But to destroy," replied the leader—"I
Am one of those who have created, even
"If it be but a world of agony."—
"Whence camest thou & whither goest thou?
How did thy course begin," I said, "& why?
"Mine eyes are sick of this perpetual flow
Of people, & my heart of one sad thought.—
Speak."—"Whence I came, partly I seem to know,
"And how & by what paths I have been brought
To this dread pass, methinks even thou mayst guess;
Why this should be my mind can compass not;
"Whither the conqueror hurries me still less.
But follow thou, & from spectator turn
Actor or victim in this wretchedness,
"And what thou wouldst be taught I then may learn
From thee.—Now listen . . . In the April prime
When all the forest tops began to burn
"With kindling green, touched by the azure clime
Of the young year, I found myself asleep
Under a mountain which from unknown time
"Had yawned into a cavern high & deep,
And from it came a gentle rivulet
Whose water like clear air in its calm sweep
"Bent the soft grass & kept for ever wet
The stems of the sweet flowers, and filled the grove
With sound which all who hear must needs forget
"All pleasure & all pain, all hate & love,
Which they had known before that hour of rest:
A sleeping mother then would dream not of
"The only child who died upon her breast
At eventide, a king would mourn no more
The crown of which his brow was dispossest
"When the sun lingered o'er the Ocean floor
To gild his rival's new prosperity.—
Thou wouldst forget thus vainly to deplore
"Ills, which if ills, can find no cure from thee,
The thought of which no other sleep will quell
Nor other music blot from memory—
"So sweet & deep is the oblivious spell.—
Whether my life had been before that sleep
The Heaven which I imagine, or a Hell
"Like this harsh world in which I wake to weep,
I know not. I arose & for a space
The scene of woods & waters seemed to keep,
"Though it was now broad day, a gentle trace
Of light diviner than the common Sun
Sheds on the common Earth, but all the place
"Was filled with many sounds woven into one
Oblivious melody, confusing sense
Amid the gliding waves & shadows dun;
"And as I looked the bright omnipresence
Of morning through the orient cavern flowed,
And the Sun's image radiantly intense
"Burned on the waters of the well that glowed
Like gold, and threaded all the forest maze
With winding paths of emerald fire—there stood
"Amid the sun, as he amid the blaze
Of his own glory, on the vibrating
Floor of the fountain, paved with flashing rays,
"A shape all light, which with one hand did fling
Dew on the earth, as if she were the Dawn
Whose invisible rain forever seemed to sing
"A silver music on the mossy lawn,
And still before her on the dusky grass
Iris her many coloured scarf had drawn.—
"In her right hand she bore a crystal glass
Mantling with bright Nepenthe;—the fierce splendour
Fell from her as she moved under the mass
"Of the deep cavern, & with palms so tender
Their tread broke not the mirror of its billow,
Glided along the river, and did bend her
"Head under the dark boughs, till like a willow
Her fair hair swept the bosom of the stream
That whispered with delight to be their pillow.—
"As one enamoured is upborne in dream
O'er lily-paven lakes mid silver mist
To wondrous music, so this shape might seem
"Partly to tread the waves with feet which kist
The dancing foam, partly to glide along
The airs that roughened the moist amethyst,
"Or the slant morning beams that fell among
The trees, or the soft shadows of the trees;
And her feet ever to the ceaseless song
"Of leaves & winds & waves & birds & bees
And falling drops moved in a measure new
Yet sweet, as on the summer evening breeze
"Up from the lake a shape of golden dew
Between two rocks, athwart the rising moon,
Moves up the east, where eagle never flew.—
"And still her feet, no less than the sweet tune
To which they moved, seemed as they moved, to blot
The thoughts of him who gazed on them, & soon
"All that was seemed as if it had been not,
As if the gazer's mind was strewn beneath
Her feet like embers, & she, thought by thought,
"Trampled its fires into the dust of death,
As Day upon the threshold of the east
Treads out the lamps of night, until the breath
"Of darkness reillumines even the least
Of heaven's living eyes—like day she came,
Making the night a dream; and ere she ceased
"To move, as one between desire and shame
Suspended, I said—'If, as it doth seem,
Thou comest from the realm without a name,
" ‘Into this valley of perpetual dream,
Shew whence I came, and where I am, and why—
Pass not away upon the passing stream.'
" ‘Arise and quench thy thirst,' was her reply,
And as a shut lily, stricken by the wand
Of dewy morning's vital alchemy,
"I rose; and, bending at her sweet command,
Touched with faint lips the cup she raised,
And suddenly my brain became as sand
"Where the first wave had more than half erased
The track of deer on desert Labrador,
Whilst the fierce wolf from which they fled amazed
"Leaves his stamp visibly upon the shore
Until the second bursts—so on my sight
Burst a new Vision never seen before.—
"And the fair shape waned in the coming light
As veil by veil the silent splendour drops
From Lucifer, amid the chrysolite
"Of sunrise ere it strike the mountain tops—
And as the presence of that fairest planet
Although unseen is felt by one who hopes
"That his day's path may end as he began it
In that star's smile, whose light is like the scent
Of a jonquil when evening breezes fan it,
"Or the soft note in which his dear lament
The Brescian shepherd breathes, or the caress
That turned his weary slumber to content.—
"So knew I in that light's severe excess
The presence of that shape which on the stream
Moved, as I moved along the wilderness,
"More dimly than a day appearing dream,
The ghost of a forgotten form of sleep
A light from Heaven whose half extinguished beam
"Through the sick day in which we wake to weep
Glimmers, forever sought, forever lost.—
So did that shape its obscure tenour keep
"Beside my path, as silent as a ghost;
But the new Vision, and its cold bright car,
With savage music, stunning music, crost
"The forest, and as if from some dread war
Triumphantly returning, the loud million
Fiercely extolled the fortune of her star.—
"A moving arch of victory the vermilion
And green & azure plumes of Iris had
Built high over her wind-winged pavilion,
"And underneath aetherial glory clad
The wilderness, and far before her flew
The tempest of the splendour which forbade
Shadow to fall from leaf or stone;—the crew
Seemed in that light like atomies that dance
Within a sunbeam.—Some upon the new
"Embroidery of flowers that did enhance
The grassy vesture of the desart, played,
Forgetful of the chariot's swift advance;
"Others stood gazing till within the shade
Of the great mountain its light left them dim.—
Others outspeeded it, and others made
"Circles around it like the clouds that swim
Round the high moon in a bright sea of air,
And more did follow, with exulting hymn,
"The chariot & the captives fettered there,
But all like bubbles on an eddying flood
Fell into the same track at last & were
"Borne onward.—I among the multitude
Was swept; me sweetest flowers delayed not long,
Me not the shadow nor the solitude,
"Me not the falling stream's Lethean song,
Me, not the phantom of that early form
Which moved upon its motion,—but among
"The thickest billows of the living storm
I plunged, and bared my bosom to the clime
Of that cold light, whose airs too soon deform.—
"Before the chariot had begun to climb
The opposing steep of that mysterious dell,
Behold a wonder worthy of the rhyme
"Of him whom from the lowest depths of Hell
Through every Paradise & through all glory
Love led serene, & who returned to tell
"In words of hate & awe the wondrous story
How all things are transfigured, except Love;
For deaf as is a sea which wrath makes hoary
"The world can hear not the sweet notes that move
The sphere whose light is melody to lovers—-
A wonder worthy of his rhyme—the grove
"Grew dense with shadows to its inmost covers,
The earth was grey with phantoms, & the air
Was peopled with dim forms, as when there hovers
"A flock of vampire-bats before the glare
Of the tropic sun, bring ere evening
Strange night upon some Indian isle,—thus were
"Phantoms diffused around, & some did fling
Shadows of shadows, yet unlike themselves,
Behind them, some like eaglets on the wing
"Were lost in the white blaze, others like elves
Danced in a thousand unimagined shapes
Upon the sunny streams & grassy shelves;
"And others sate chattering like restless apes
On vulgar paws and voluble like fire.
Some made a cradle of the ermined capes
"Of kingly mantles, some upon the tiar
Of pontiffs sate like vultures, others played
Within the crown which girt with empire
"A baby's or an idiot's brow, & made
Their nests in it; the old anatomies
Sate hatching their bare brood under the shade
"Of demon wings, and laughed from their dead eyes
To reassume the delegated power
Arrayed in which these worms did monarchize
"Who make this earth their charnel.—Others more
Humble, like falcons sate upon the fist
Of common men, and round their heads did soar,
"Or like small gnats & flies, as thick as mist
On evening marshes, thronged about the brow
Of lawyer, statesman, priest & theorist,
"And others like discoloured flakes of snow
On fairest bosoms & the sunniest hair
Fell, and were melted by the youthful glow
"Which they extinguished; for like tears, they were
A veil to those from whose faint lids they rained
In drops of sorrow.—I became aware
"Of whence those forms proceeded which thus stained
The track in which we moved; after brief space
From every form the beauty slowly waned,
"From every firmest limb & fairest face
The strength & freshness fell like dust, & left
The action & the shape without the grace
"Of life; the marble brow of youth was cleft
With care, and in the eyes where once hope shone
Desire like a lioness bereft
"Of its last cub, glared ere it died; each one
Of that great crowd sent forth incessantly
These shadows, numerous as the dead leaves blown
"In Autumn evening from a popular tree—
Each, like himself & like each other were,
At first, but soon distorted, seemed to be
"Obscure clouds moulded by the casual air;
And of this stuff the car's creative ray
Wrought all the busy phantoms that were there
"As the sun shapes the clouds—thus, on the way
Mask after mask fell from the countenance
And form of all, and long before the day
"Was old, the joy which waked like Heaven's glance
The sleepers in the oblivious valley, died,
And some grew weary of the ghastly dance
"And fell, as I have fallen by the way side,
Those soonest from whose forms most shadows past
And least of strength & beauty did abide."—
"Then, what is Life?" I said . . . the cripple cast
His eye upon the car which now had rolled
Onward, as if that look must be the last,
And answered …. "Happy those for whom the fold
Of …
"The weak are always anxious for justice and equality. The strong pay no heed to either." — Aristotle "A species that enslaves other beings is hardly superior — mentally or otherwise." — Captain Kirk "Now, I don't pretend to tell you how to find happiness and love, when every day is a struggle to survive. But I do insist that you do survive, because the days and the years ahead are worth living for!" — Edith Keeler "Live long and prosper!" — Spock
"The most important thing in life is to stop saying 'I wish' and start saying 'I will.' Consider nothing impossible, then treat possibilities as probabilities."
— Charles Dickens
Calories 160
"I am no bearded Dumbledore, but it was impossible not to see Magnus as a type of Harry Potter, a super-talent destined to become one of the greatest and to leave a deep mark (a lightning bolt?) on our ancient game." ― Garry Kasparov "Above the clouds I lift my wing
To hear the bells of Heaven ring;
Some of their music, though my fights be wild,
To Earth I bring;
Then let me soar and sing!" ― Edmund Clarence Stedman Feb-13-11 keypusher: <scutigera: They give this as one of Myagmarsuren's notable games with 162 others in the database?>
notable games are selected based on how many games collections they are in. Dec-12-16 DrGridlock: Q: When is a pin not a pin?
A: When the piece is:
(i) not pinned to the king
and
(ii) in moving the piece threatens either mate or greater material gain than what it was pinned to.
(iii) in moving the piece now defends the unit it was pinned to, such as Nf3xd4 and protects the Be2 that was behind the knight. Fact: There are parts of Africa in all four hemispheres
For people whose education was largely focused on the Western world, it may be surprising to find out exactly how huge the continent of Africa is. For instance, it spans all four hemispheres and covers nearly 12 million square miles. Riddle Question: A man who was outside in the rain without an umbrella or hat didn't get a single hair on his head wet. Why? According to Einstein's Special Theory of Relativity, it is possible to go slower than light and faster than light, but it is impossible to go at the speed of light. Riddle Answer: He was bald.
Fact: The world's oldest wooden wheel has been around for more than 5,000 years. It was found in 2002, approximately 12 miles south of Ljubljana, the capital of Slovenia, and is now housed in the city's museum. Radiocarbon dating was used to determine the wheel's age, which is somewhere between 5,100 and 5,350 years old. Riddle Question: What gets wet while drying?
If you add up the numbers 1-100 consecutively (1+2+3+4+5 etc) the total is 5050. Riddle Answer: A towel
Fact: Sudan has more pyramids than any country in the world
Not only does Sudan have more pyramids than Egypt, but the numbers aren't even close. While 138 pyramids have been discovered in Egypt, Sudan boasts around 255. <The Chess Player
by Howard Altmann
They've left. They've all left.
The pigeon feeders have left.
The old men on the benches have left.
The white-gloved ladies with the Great Danes have left.
The lovers who thought about coming have left.
The man in the three-piece suit has left.
The man who was a three-piece band has left.
The man on the milkcrate with the bible has left.
Even the birds have left.
Now the trees are thinking about leaving too.
And the grass is trying to turn itself in.
Of course the buses no longer pass.
And the children no longer ask.
The air wants to go and is in discussions.
The clouds are trying to steer clear.
The sky is reaching for its hands.
Even the moon sees what's going on.
But the stars remain in the dark.
As does the chess player.
Who sits with all his pieces
In position.>
Capitonyms are words which change their meaning if the first letter is capitalized. For example: Turkey (the country) and turkey (the bird). 2008 zb2kr: move 24. zooter Fritz xp dope on a rope Kh3? trolly pickled hiz puter Navarovszky What sits at the bottom of the sea and twitches? A nervous wreck. Tucson, Arizona
Established in: 1775
Tucson is the second largest city in the state. It began as a small Spanish presido, or walled fortress, and was once considered part of Mexico. Today, the city is home to the University of Arizona.
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Damiano's royal fork in the Petrov, Kholmov Gambit
P Damiano vs NN, 1497  (C42) Petrov Defense, 14 moves, 1-0
First recorded castling! and it's QUEENSIDE!
NN vs Lucena, 1497  (A00) Uncommon Opening, 26 moves, 0-1
B vs N, Pawn grab vs Mating Net (wins a N and...)
Lucena vs Quintana, 1515  (A00) Uncommon Opening, 32 moves, 1-0
Early Q +Kside attack, r+3p for B+N see Greco 1620 (#3)
Ruy Lopez vs G da Cutri, 1560  (C20) King's Pawn Game, 9 moves, 1-0
f2 weak, early K attack, Combination, Tactics (see Legal 1750)
Ruy Lopez vs G da Cutri, 1560  (C30) King's Gambit Declined, 12 moves, 1-0
4.d4! leads to a spectacular refutation of this Lopez CG.
G da Cutri vs Ruy Lopez, 1575  (C41) Philidor Defense, 10 moves, 1-0
Ruy Lopez de Segura (1530-1580) game fragment
G da Cutri vs Ruy Lopez, 1575  (C53) Giuoco Piano, 10 moves, 1-0
Another truncated game
Scovara vs P Boi, 1575  (C53) Giuoco Piano, 14 moves, 1-0
mating threat and loss of R leaves Bl up a piece (13Bg7)
Polerio vs G da Cutri, 1590  (C40) King's Knight Opening, 13 moves, 0-1
White uses weak e8-h5 diagonal and Qsac after a bad ...f5
Greco vs NN, 1623  (B00) Uncommon King's Pawn Opening, 8 moves, 1-0
...f6? brings early Kattack (dbl check mate) see Lopez 1560
Greco vs NN, 1620  (C40) King's Knight Opening, 11 moves, 1-0
2...Qf6?
Greco vs NN, 1620  (C40) King's Knight Opening, 11 moves, 1-0
5...f6? ...fxg5?? N sac clearance for Q move
Greco vs NN, 1620  (C34) King's Gambit Accepted, 10 moves, 1-0
...Qg4? and B sac on f7 combine for tactical opportunity
Greco vs NN, 1620  (C33) King's Gambit Accepted, 9 moves, 1-0
Play for material vs play for mate, Qf7# see Philidor v NN 1790
Greco vs NN, 1620  (C54) Giuoco Piano, 19 moves, 1-0
Mating threat wins overeager N
Greco vs NN, 1620  (C53) Giuoco Piano, 7 moves, 1-0
N sac leaves White w/out time to prevent smothered mate
NN vs Greco, 1620  (C50) Giuoco Piano, 13 moves, 0-1
N sac on weak f7 draws out Black K
Greco vs NN, 1620  (C57) Two Knights, 17 moves, 1-0
...c6? and ...cxb5?? leave R lost (bad Qside p advances)
Greco vs NN, 1620  (D20) Queen's Gambit Accepted, 6 moves, 1-0
8Qf3?(Nf3!) and bad p advance leave Kside weak for smother mate
NN vs Greco, 1625  (C30) King's Gambit Declined, 18 moves, 0-1
Bishop's Opening: Boi Variation copycat (C50) 1-0 fishing pole
A Salvio vs NN, 1634  (C50) Giuoco Piano, 12 moves, 1-0
R+2P for n+p sac, passed ps win supported by W peices
Philidor vs NN, 1749  (C23) Bishop's Opening, 40 moves, 1-0
Legall's Mate, see Lopez 1575 #2 (game 6)
De Legal vs Saint Brie, 1750  (C41) Philidor Defense, 7 moves, 1-0
Blindfold, simplifies to won R+P endgame checkmate
J Bruehl vs Philidor, 1783  (C23) Bishop's Opening, 47 moves, 0-1
Q,R,B use weak h7 to seize unprotected K
Philidor vs NN, 1749  (C30) King's Gambit Declined, 28 moves, 1-0
R assists P promotion
Philidor vs NN, 1749  (C33) King's Gambit Accepted, 52 moves, 1-0
Analyse du jeu des Échecs, 1750, pp106-107
Philidor vs NN, 1749  (C35) King's Gambit Accepted, Cunningham, 22 moves, 1-0
Bad Kside p advance leaves f7 weak, Qf7# see Greco 1620 (#7)
Philidor vs NN, 1750  (C38) King's Gambit Accepted, 16 moves, 1-0
Bad Kside p advance + h-file invasion
A Smith vs Philidor, 1790  (C24) Bishop's Opening, 33 moves, 0-1
Passed pawn promotes (See vs Sheldon 1790)
H Conway vs Philidor, 1790  (C23) Bishop's Opening, 46 moves, 0-1
Passed pawn promotes (See vs Conway 1790)
Sheldon vs Philidor, 1790  (C23) Bishop's Opening, 31 moves, 0-1
Scotch Game: Scotch Gambit. Saratt Variation (C44) 1-0 promote
Cochrane vs A Deschapelles, 1821  (C44) King's Pawn Game, 31 moves, 1-0
"London Broil" (game of the day Jul-29-2006)
La Bourdonnais vs McDonnell, 1834  (D20) Queen's Gambit Accepted, 36 moves, 1-0
"Labourdonnais Picnic" (game of the day Sep-03-2012)
McDonnell vs La Bourdonnais, 1834  (B32) Sicilian, 37 moves, 0-1
"The 100 Moves' War" (game of the day Aug-05-2014)
La Bourdonnais vs McDonnell, 1834  (C51) Evans Gambit, 100 moves, 1-0
KGA Bishop's Gambit Lopez Var (C33) 0-1 Notes by Morphy
McDonnell vs La Bourdonnais, 1834  (C33) King's Gambit Accepted, 30 moves, 0-1
"MacDonnell's Drive Through" (game of the day Oct-06-2005)
McDonnell vs La Bourdonnais, 1834  (C33) King's Gambit Accepted, 20 moves, 0-1
Morphy notes (Fritz disagrees), defeat snatched from jaws of V
McDonnell vs La Bourdonnais, 1834  (B21) Sicilian, 2.f4 and 2.d4, 44 moves, 0-1
"French Fries MacDonnell" (game of the day Jun-18-2008)
La Bourdonnais vs McDonnell, 1834  (D20) Queen's Gambit Accepted, 29 moves, 1-0
Italian Game: Classical. De la Bourdonnais (C53) 1-0MorphyNotes
La Bourdonnais vs McDonnell, 1834  (C53) Giuoco Piano, 31 moves, 1-0
3) Epic Battles of the Chessboard by R.N. Coles
H Boncourt vs Saint-Amant, 1837  (C53) Giuoco Piano, 39 moves, 0-1
Staunton’s combination wins the Queen for three minor pieces
NN vs Staunton, 1841  (C33) King's Gambit Accepted, 22 moves, 0-1
Mongredien's Knight Mate resembles Morphy's Mate w/the Bishop
Cochrane vs Staunton, 1842  (C23) Bishop's Opening, 20 moves, 0-1
Pierre Charles Fournier de Saint-Amant (1800-1872)
Saint-Amant vs J Schulten, 1842  (C50) Giuoco Piano, 30 moves, 1-0
"Schult I alzo zacrifice my Queen?" (game of the day Jan-12-202
J Schulten vs Saint-Amant, 1842  (B22) Sicilian, Alapin, 20 moves, 0-1
Queen trap in the middle of the board in NINE moves!
Cochrane vs Staunton, 1843  (B20) Sicilian, 9 moves, 0-1
Saint-Amant, Pierre Charles Fournier de (1800-1872)
Saint-Amant vs Staunton, 1843  (D32) Queen's Gambit Declined, Tarrasch, 34 moves, 1-0
"Tour de France" (game of the day Jul-28-2007)
Saint-Amant vs Staunton, 1843  (D20) Queen's Gambit Accepted, 79 moves, 1-0
Third example of the English from 1843, with Staunton losing
Staunton vs Saint-Amant, 1843  (C01) French, Exchange, 30 moves, 0-1
The First Positional Exchange Sacrifice
Saint-Amant vs Staunton, 1843  (D30) Queen's Gambit Declined, 66 moves, 0-1
Staunton, Howard (1810-1874) beats the Dutch with his gambit
Staunton vs Horwitz, 1846  (A83) Dutch, Staunton Gambit, 56 moves, 1-0
"Schulten Have Done That" (game of the day Mar-24-2017)
J Schulten vs Kieseritzky, 1850  (C33) King's Gambit Accepted, 18 moves, 0-1
Dutch Defense: Q's Knight Variation (A85) 1-0 Sudden Switch
Staunton vs Horwitz, 1846  (A85) Dutch, with c4 & Nc3, 12 moves, 1-0
"Retreating to Advance" (game of the day Jan-29-2009)
Staunton vs Horwitz, 1851  (A13) English, 46 moves, 1-0
29..Kf7?? losing to a mate in one instead of 29..Bxf6 winning.
Staunton vs Anderssen, 1851  (C54) Giuoco Piano, 30 moves, 1-0
"The Immortal Game" (game of the day Sep-05-2007)
Anderssen vs Kieseritzky, 1851  (C33) King's Gambit Accepted, 23 moves, 1-0
Spanish, Classical. Central Var (C64) 0-1 Fishin' Pole, Deflect
C Mayet vs Anderssen, 1851  (C64) Ruy Lopez, Classical, 12 moves, 0-1
"London Bridges Falling Down" (game of the day Aug-02-2004)
Anderssen vs Kieseritzky, 1851  (C33) King's Gambit Accepted, 40 moves, 1-0
"The Evergreen Partie" (game of the day Oct-16-2017)
Anderssen vs Dufresne, 1852  (C52) Evans Gambit, 20 moves, 1-0
Staunton, Howard (1810-1874)
Staunton vs NN, 1840  (C38) King's Gambit Accepted, 29 moves, 1-0
Jun-24-16 Calli: IM David Pruess does a fine job analyzing this
J Schulten vs Morphy, 1857  (C31) King's Gambit Declined, Falkbeer Counter Gambit, 23 moves, 0-1
fluid defence, rook sacrifice, Novel smothered mate
N Marache vs Morphy, 1857  (C52) Evans Gambit, 20 moves, 0-1
Morphy's answer to Marshall's gold pieces
Paulsen vs Morphy, 1857  (C48) Four Knights, 28 moves, 0-1
Anderssen Opening 1.a3 (A00) 1-0 Plenty of counterplay
Anderssen vs Morphy, 1858  (A00) Uncommon Opening, 77 moves, 1-0
"Morphology" (game of the day Aug-25-2009)
Morphy vs Anderssen, 1858  (B44) Sicilian, 17 moves, 1-0
"Keep Your Eye on the Paul" (game of the day Jul-13-2007)
Morphy vs Anderssen, 1858  (C39) King's Gambit Accepted, 23 moves, 1-0
Philidor Countergambit. Zukertort Var (C41) 0-1 Stockfish notes
Bird vs Morphy, 1858  (C41) Philidor Defense, 29 moves, 0-1
French Defense: Exchange (C01) 0-1 Stockfish notes
Falkbeer vs Saint-Amant, 1858  (C01) French, Exchange, 22 moves, 0-1
"A Night at the Opera" (game of the day Dec-02-2007)
Morphy vs Duke Karl / Count Isouard, 1858  (C41) Philidor Defense, 17 moves, 1-0
Smothered Mate in Centre , Morphy again!
Morphy vs Schrufer, 1859  (C56) Two Knights, 24 moves, 1-0
"Cirque du Suhle" (game of the day Feb-08-2010)
Anderssen vs B Suhle, 1860  (C51) Evans Gambit, 23 moves, 1-0
KGD: Falkbeer CG. Anderssen Attk (C31) 0-1 Boden's Mate w/Rook
J Rosanes vs Anderssen, 1862  (C31) King's Gambit Declined, Falkbeer Counter Gambit, 19 moves, 0-1
Anderssen is the God of courage. Bravo
J Rosanes vs Anderssen, 1863  (C39) King's Gambit Accepted, 23 moves, 0-1
"The Zukes of Hazard" (game of the day Jul-18-2009)
Anderssen vs Zukertort, 1869  (C51) Evans Gambit, 29 moves, 1-0
12. Capa overstretches, Alekhine wins a rook (33.-Rc3?; 37.f4!)
Alekhine vs Capablanca, 1927  (D64) Queen's Gambit Declined, Orthodox, Rubinstein Attack, 41 moves, 1-0
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